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Information below is the lot/description information from our Summer Estates Auction, July 14 & 15, 2018. Descriptions listed below are NOT guaranteed accurate. Call 1-800-467-5329 for general information on Neal Auction Company. Follow the catalogue link to order our beautifully illustrated catalogue.

You are at > Lots 101-200

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101. American Rococo Gilt Bronze Five-Light Gasolier, mid-19th c., rope-twist standard, mounted with three addorsed cherubs, fruit collars, the bell and arms with grapevines, h. 67 in., dia. 31 in. $3000/5000
Provenance: Estate of D. Clive Hardy, New Orleans.

102. Hyde and Goodrich Coin Silver Soup Ladle, wc. 1828-1861, New Orleans, marked "HYDE & GOODRICH" in rectangle, fiddle typt handle, l. 13 5/8 in., wt. 8.35 troy ozs. $400/600
Provenance: Estate of D. Clive Hardy, New Orleans.
Ref.: Crescent City Silver, pp. 4-25.

103. Good Colonial Revival Sterling Silver Tray, ret. J.E. Caldwell & Co., Philadelphia, act. 1848-2009, octagonal, stepped border with reeded rim, 18 3/8 in. x 13 1/8 in., wt. 41.20 troy ozs. $500/750
Provenance: Estate of D. Clive Hardy, New Orleans.

104. Good Group of American Coin Silver Flatware, incl. bead pattern (possibly Polhemus) sauce ladle, ret. Hyde & Goodrich, New Orleans, wc. 1828-1861, l. 7 1/4 in.; variant bead pattern cold meat fork, Bigelow, Kennard & Co., Boston, wc. 1863-1923, l. 8 3/4 in.; fiddle pattern fish slice, Gale & Hayden, New York, 1845-1850, l. 11 1/8 in.; fiddlethread sugar shell, Theodore Evans & Co., New York, wc. 1855-1865, l. 6 7/8 in.; and 9 fiddle typt teaspoons, C.A. Burr & Co., Rochester, NY, wc. 1857-1863; total wt. 14.75 troy ozs. $300/500
Provenance: Estate of D. Clive Hardy, New Orleans.

105. Group of New Orleans Coin Silver Flatware in the "Fiddlethread" Pattern, incl. tablespoon (l. 8 5/8 in.) and 6 forks (l. 6 1/4 in.), Hyde & Goodrich, wc. 1828-1861; and sugar shell (l. 6 1/4 in.) and tongs (l. 6 1/8 in.), A.B. Griswold, wc. 1865-1906; total wt. 12.50 troy ozs. $400/600

106. New Orleans Carved Mahogany Campeche Chair, mid-20th c., Kohlmaier & Kohlmaier, signed and dated on underside of seat rail, of generous proportions, scroll crest, continuous back and seat, scroll arms with baluster supports, turned stretchers, leather seat with nailhead trim, h. 43 1/2 in., w. 33 3/8 in., d. 30 in. $2500/3500
Provenance: Acquired by William Simmons from Kohlmaier & Kohlmaier.
Note: Best known for exquisitely crafted furniture after American Federal designs, the workshop of Ruppert Kohlmaier Sr. (1906-2002) and Ruppert Kohlmaier Jr. has made and continues to make select forms from Louisiana resources, notably the use of cypress veneer. The mahogany Campeche chair seen here is based on a well-known period prototype which descended in a New Orleans family.
Ref. Schmalz, Lydia and Evelyn Mitchell, “The Art of the Craftsman: Ruppert Kohlmaier, Sr., a Retrospective Exhibition.” New Orleans: Longue Vue House and Gardens, 1982, p. 72.

107. Pair of Antique Anglo-Colonial Bone Inlaid Hardwood Console Tables, 19th c., inlaid top and frieze, reeded tapering legs, h. 31 in., w. 50 1/2 in., d. 25 in. $1500/2500

108. New Orleans Painted Wood and Cast Iron Garden Bench, late 19th/early 20th c., foundry mark of Hinderer's Iron Works, New Orleans, h. 30 in., w. 59 in., d. 20 in. $300/500
Provenance: Estate of D. Clive Hardy, New Orleans.

109. New Orleans Cast Iron "Chartres St." Panel, 19th c., l. 73 1/2 in., w. 24 in.
Provenance: Estate of D. Clive Hardy, New Orleans. $500/1000

110. Large American Cast Iron Sugar Kettle, 19th c., flared rim, deep bowl, h. 31 in., dia. 73 in. $2500/3500
Provenance: Estate of D. Clive Hardy, New Orleans.

111. American Cast Iron Sugar Kettle, 19th c., flared rim, deep bowl, h. 23 1/2 in., dia. 55 1/2 in. $1500/2500

112. Antique American Giltwood Mirror, foliate molded surround, h. 27 in., w. 23 in. $200/300

113. Antique Polychromed Cast Iron Head, h. 13 1/2 in. $600/900
Provenance: Estate of D. Clive Hardy, New Orleans.



114. Spanish Pewter and Brass Overlay Cabinet, two frieze drawers over two paneled doors, tapered feet, h. 36 in., w. 44 in., d. 18 in. $1000/1500

115. Japonesque Lacquered Wood Occasional Table, circular top painted with flower scrolls, splayed acanthine supports centered by urn, footed square base, h. 31 in., dia. 25 in. $500/750



116. Suite of Fourteen Louis XVI-Style Carved Mahogany Dining Chairs, incl. 2 armchairs and 12 side chairs, molded oval backs, serpentine seat rails with rosette blocks, fluted tapered legs, h. 36 1/2 in., w. 19 in., d. 18 in. $1500/2000

117. Pair of Fine Rotterdam 'Commedia dell'Arte' Tile Pictures, late 18th c., each piece painted in shades of manganese and blue, with the figure of a performing Hans Worst within an interior, with text "Ik ben Hans Worst" and "en ik zijn broer", each comprising six tiles, within a metal frame, 15 1/2 in. x 10 1/4 in. (without frame). $2000/3000
Provenance: Sotheby's Amsterdam, Sept. 21, 2005, lot 123.
Ill.: Antiek, No. 2 Aug/Sept 1987, p. 95.

118. Large Spanish Carved and Painted Wood Santos Figure, 19th c., depicted holding lilies, plinth base, h. 43 in., w. 17 in., d. 14 in. $1200/2000

119. Continental Cut Crystal and Horn Encrier, 20th c., brass base mounted with horns, centered by large hexagonal inkwell, ball feet, h. 9 in., w. 12 in., d. 12 in. $600/800

120. Pair of Neoclassical-Style Bronze Chenets, 19th c., flaming urn standard, h. 16 1/2 in., w. 16 in., d. 7 in. $800/1200

121. Pair of Beaux Arts Argenté, Rock Crystal and Amethyst Three-Light Girandoles, c. 1900, scroll supports with bird terminals, tripartite base, electrified, h. 18 in., dia. 10 in. $1000/1500

122. Large Viennese Cold Painted Bronze Figural Standish, c. 1900, stamped "AUSTRIA", depicting three parrots on a branch, onyx base with pen holder, tray, and letter opener, h. 9 in., w. 18 in., d. 18 in. $700/900

123. Antique English Silver-Mounted Tortoiseshell Cigarette Box, Cornelius Saunders and Francis Shepard, Chester, 1895, mark reg. 1894, h. 2 in., w. 6 in., d. 4 in. $500/700

124. Pair of Empire-Style Bronze-Mounted Rouge Marble Covered Urn, c. 1900, bud finials, ram's head handles, h. 15 in., w. 7 in., d. 4 1/2 in. $600/900

125. Pair of Majolica Polychrome Jardinières, late 19th c., Fern leaf and flower motif, h. 9 1/4 in., w. 12 3/4 in., d. 18 1/2 in. $300/500
Provenance: Estate of D. Clive Hardy, New Orleans.

126. Four American Giltwood Cornices, mid-19th c., opening h. 5 1/4 in., w. 50 1/2 in., d. 7 in. $300/500
Provenance: Estate of D. Clive Hardy, New Orleans.

127. Two George V Sterling Silver and Tortoiseshell-Mounted Cut Crystal Perfume Bottles, one Adie Brothers, Birmingham, 1924, h. 4 5/8 in.; the other also early 20th c., h. 4 in. $500/700



128. Anton Michelsen Sterling Silver Candelabrum in "The Wave" Design, Copenhagen, c. 1950, designed by Ibi Trier Morch (1910-1980), h. 6 1/2 in., w. 10 in., wt. 29.85 troy ozs. $500/750
Note: The Anton Michelsen firm of silversmiths was founded in 1841 and quickly began to enjoy royal patronage. Georg Jensen apprenticed with Anton Michelsen in the 1890s. A. Michelsen was sold to Royal Copenhagen in 1868, and was later merged into Georg Jensen after it too was acquired by Royal Copenhagen.

129. French Porcelain-Mounted Bronze Hall Lantern, cage-form, foliate finials, allover mounted with polychrome porcelain flowers, fitted for electricity, h. 48 in., w. 19 in., d. 19 in. $1000/1500

130. Pair of Louis XVI-Style Gilt Bronze and Green Marble Seven-Light Candelabra, merboy figures holding cornucopia, issuing foliate candlearms, dolphin feet, h. 28 1/4 in., dia. 11 in. $1500/2000

131. Art Nouveau Patinated Bronze Five-Light Figural Lamp, base signed "Ant. Amorgasti/ 1924", with crane on rocaille base, h. 22 3/4 in., w. 13 in., d. 13 in. $700/1000

132. Louis XV/XVI-Style Bronze-Mounted Parquetry Petite Commode, 19th c., serpentine rouge marble top, four conforming drawers, shaped apron, flared legs, brass sabots, h. 33 1/2 in., w. 25 in., d. 17 1/2 in. $1500/2500

133. Pair of Rock Crystal and Gilt Metal Baluster Lamps, two light fixture, h. to finial 33 in. $2500/3500

134. American Classical Fancy-Painted Grecian Sofa, early 19th c., New York, outscrolled arms centered by tablet splats, old rush seat, saber legs on spherule feet; the whole with a striated aquamarine ground, Classical motifs executed in yellow, red and black with gilt highlights, the legs in "fish scale" paint-decoration, curly maple secondary wood, h. 34 in., w. 73 1/2 in., d. 23 in. $2000/3000
Provenance: Ann Koerner Antiques, New Orleans.
Ill.: One King's Lane, "Tour Author Julia Reed's Party-Ready New Orleans Home".
Note: A painted and rush seat sofa conserved by the Brooklyn Museum and attributed to New York makers P. and B.R. Thomas or John Cowperthwaite nearly identical to that seen here was included in Berry B. Tracy's seminal Classical America 1815-1845 exhibition. A pair of painted sofas, also closely related to this lot, are part of the furnishings commissioned for William Crogan's "Picnic House" in Pittsburgh and now in the Carnegie Museum.
Ref.: Tracy Classical America 1815-1845, fig. 26; Cooper. Classical Taste in America, p. 140, pl 100.

135. Antique Italian Painted and Parcel Gilt Console, shaped marble top, conforming blocked frieze mounted with floral-carved swags, fluted tapered legs, molded stretcher surmounted by a floral urn, h. 36 in., w. 5 7in., d. 19 1/2 in. $2000/3000

136. Six Continental Baroque-Style Carved and Gilded Dining Chairs, arched scrolled crest rail, vasiform splat, scalloped seat rail, cabriole legs, pad feet, stretchers, h. 46 1/2 in., w. 21 in., d. 20 in. $1500/2500

137. François Gall (French, 1912-1987), "Picnic in the Woods", oil on canvas, signed lower left, 19 1/2 in. x 23 1/2 in., framed. $4000/6000
Provenance: Ross L. Peacock Madison Avenue Gallery, New York, 1986.
Note: Hungarian-born Francois Gall studied at both the Accademia de Belle Arti in Rome and the École Nationale des Beaux-Arts in Paris before the commencement of World War II, which he spent in Hungary and Austria. Returning to Paris and becoming a naturalized citizen in 1949, Gall married and spent the remainder of his life in France. He greatly admired the work of the Impressionist painters, particularly Edgar Degas, and their influence is apparent in the painting offered here with its light palette, plein-air scenery, and careful brushwork. The woman seated on a picnic blanket appears lost in a reverie, and the dappled light is portrayed particularly well on her dress and the surrounding grass.

138. Antique Architectural Engraving of Rome, from In Rome by Giovanni Giacomo de Rossi, 3 engravings, overall sight 26 in. x 52 in., framed together. $400/600

139. Lady Victoria Patricia Helena Ramsay (British, 1886-1974), "Under-Sea Study, Bermuda", oil on board, monogrammed "V.P.R." lower left, "Goupil Gallery, London" May 1928 exhibition label en verso, 21 3/4 in. x 29 7/8 in., framed. $800/1200



140. Dutch School, 19th c., "Travelers within a Wooded Landscape", oil on canvas, unsigned, 35 3/8 in. x 39 1/4 in., unframed. $1000/1500



141. Continental Carved Walnut Table, 18th c., shaped molded top, frieze with two drawers on return ends, faux drawers on front and reverse sides, serpentine apron, cabriole legs, ball and claw feet, h. 31 in., w. 47 in., d. 30 1/4 in. $1500/2500

142. Art Deco Royal Doulton Polychrome Porcelain Dinner Service, c. 1923-1927/1930, lion over Royal Doulton and entwined Ds mark, incl. 11 dinner plates, dia. 10 5/8 in.; 12 salad plates, dia. 8 7/8 in.; 9 bread plates, dia. 6 1/4 in.; 2 cups and 3 saucers; and 6 demitasse cups and 4 saucers. (46 pcs.) $300/500

143. Patinated Bronze Group of a Maiden Astride a Goat, inscribed "Claude Michel", on marble base, h. 20 in., w. 12 in., d. 8 1/4 in. $500/750

144. Three Decorative Rock Crystal Flower Sculptures, steel stems, white marble bases, tallest h. 27 in. $600/800

145. Antique Venetian Carved and Polychromed Blackamoor on Pedestal, 19th c., the dancer posed on globe with zodiac banner, cushion and draped pedestal, h. 73 in., w. 18 in., d. 18 in. $1500/2500

146. Pair of Italian Carved and Painted Pricket Candlesticks, 18th c., turned standard, distressed surface, h. 17 in., dia. 5 3/4 in. $500/700

147. Austrian Cold-Painted Bronze Figural Lamp, c. 1900, palm tree fitted with light, base with Arab horseman and vide poche, h. 11 1/4 in., w. 5 in., d. 5 3/4 in. $700/900

148. "Grand Tour" Collection of Plaster Cast Intaglio Seals, presented on marbled paper ground in two oval frames, h. 19 in., w. 15 in. $500/700

149. Parian Figure of Undine, 19th c., marked "John Hancock", h. 17 in., w. 5 1/2 in., d. 6 1/4 in. $100/200

150. Continental Carvel and Patinated Panel, 18th c., three shields flanked by putti, h. 6 in., w. 24 in. $300/500

151. Austrian Cold-Painted Metal Figural Group, with seated lady surrounded by vessels, h. 7 in., w. 8 1/4 in., d. 9 in. $600/800

152. David Harouni (Iranian/New Orleans, b. 1962), "Untitled", oil on gallery-wrapped canvas, signed lower left, 48 in. x 36 in., unframed. $3000/5000

153. David Harouni (Iranian/New Orleans, b. 1962), "Untitled", oil on gallery-wrapped canvas, signed lower right, 48 in. x 48 in., unframed. $3000/5000



154. Hunt Slonem (American/Louisiana, b. 1951), "Metallic Bunnies", 2016, oil on board, signed and dated en verso, 29 in. x 20 1/2 in., framed. $3000/5000



155. Donald Roller Wilson (American/Arkansas, b. 1938), "Beverly in the Woods with her Pencil !!! and Waiting and Thinking of Mr. Metzdorf", 1982, oil on canvas, signed, dated and titled upper center, signed, dated and inscribed on stretcher bars, "Russeck Gallery" label en verso, 26 1/4 in. x 22 in., framed. $15000/25000
Note: Born in Houston, TX, Donald Roller Wilson has lived and worked in Fayetteville, Arkansas since the late 1960s. Roller Wilson creates meticulously detailed paintings with the technique and precise brushwork of 16th century Dutch masters. His subjects include finely clothed chimpanzees, dogs, cats, wooden matches, dill pickles, asparagus stalks, olives, pencils and cigarette butts. His off-the-wall characters have names such as Cookie the Baby Orangutan, Jane the Pug Girl, Jack the Jack Russell "Terror," Loretta the Actress Cat, and offered here, “Beverly.” Each one springs from the artist's vivid imagination into the viewer’s world through lengthy captions and intriguing canvases that at once captivate and baffle.
Ref.: Wilson, Donald Roller. The Dreams of Donald Roller Wilson. New York: Hawthorn Books, 1979.

156. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912-1997), "Untitled: Synthesis Series", 1982, mixed media on canvas, signed and dated mid-left, 20 1/2 in. x 21 3/4 in., framed. $7000/10000

157. Rene Portocarrero (Cuban, 1912-1985), "Head with Leaves", 1979, mixed media on paper, signed and dated lower left, 35 1/2 in. x 26 in., framed. $2000/3000
Note: Rene Portocarrero began painting at the age of 14. He enrolled in the San Alejandro Academy, but he rejected academic training as “incompatible with my temperament,” resulting in his consideration as a self-taught artist. Portocarrero traveled extensively throughout Europe absorbing Cubism and Surrealism and participating in many informal apprenticeships. He characterized his art as a constant search for a freedom of style and changed his techniques often. Portocarrero claimed to work spontaneously, never having planned a work until the brush was about to strike the canvas. There are a few consistent themes in his subject matter however, such as women, flowers, birds and mythology, of which the painting offered here is a prime example. Considered by many in Latin America to be on par with Picasso, Portocarrero is often referred to as Cuba’s greatest painter.
Ref.: “Grupo Origenes: Pintores.” Cuba Literaria. www.cubaliteraria.cu. Accessed Feb. 18, 2018; “René Portocarrero Bio Page.” Wide Walls. www.widewalls.ch. Accessed Feb. 18, 2018.



158. George Rodrigue (American/Louisiana, 1944-2013), "Center Stage", 1993, acrylic on linen, signed lower right, signed and titled on stretcher, 11 in. x 14 in., framed. $10000/15000
Provenance: Rodrigue Studio, Royal Street, New Orleans.



159. Clarence Millet, A.N.A. (American/New Orleans, 1897-1959), "Saturday Night, French Quarter Cafe", oil on canvas, signed lower right, 25 in. x 30 in., original painted frame. $20000/30000
Note: The only New Orleans artist who became a National Academician, Clarence Millet had a wonderful understanding of composition and color, which is clearly demonstrated in the exceptional work offered here. Saturday Night, French Quarter Café, with its jewel-tone palette and chiaroscuro, depicts a rare twilight street scene. Having often painted plein air French Quarter scenes throughout his career, Millet’s adoption of American Realism and American Scene painting styles in the early to mid-20th century, which focused on portraying accurate representations of ordinary people in their everyday lives, elevated his work and enabled him to create this masterful painting. Depicting people from different walks of life, such as the café-goers, the vegetable vendor, and the men in discussion under the street lamp, Millet captures a slice of life not often seen by visitors in the city. The placement of the figures on the street, the balcony, and in the café all perfectly lead the eye around the canvas to tell the story of a typical locals night in the Vieux Carré, elevating the scene to an iconic level.



160. Enrique Alferez (American/New Orleans, 1901-1999), "Kneeling Nude", terracotta, unsigned, h. 27 in., wood base, overall h. 29 1/4 in. $10000/15000
Note: Enrique Alferez’ classic and iconic Art Deco style punctuates the scenery of New Orleans with his sculptures in parks and public spaces throughout the city he called home for over six decades. While elegant, stylized works such as "Repose" and "Gymnast", located in the Enrique Alferez Sculpture Garden in City Park, epitomize Alferez’ technique in bronze, sculptures such as "Kneeling Nude" offered here display the artist’s skill with the textural, expressionistic shaping of terracotta. Alferez' mastery in combining modern design components with Pre-Columbian elements and an emphasis on his Mexican roots is clearly seen in "Kneeling Nude." The earth tones, as well as the texture of the woman’s skin call to mind traditional Mexican terracotta sculptures while the sensuous lines and curves of the woman’s pose exhibit the artist's talent in depicting the female form.



161. Theora Hamblett (American/Mississippi, 1895-1977), "Green Glass Bowl", initialed on rim, dia. 7 in. $1000/1500
Provenance: Acquired from the artist, c. 1960s.



162. Theora Hamblett (American/Mississippi, 1895-1977), "Blue Glass Bowl", dia. 7 in. $1000/1500
Provenance: Acquired from the artist, c. 1960s.



163. Theora Hamblett (American/Mississippi, 1895-1977), "Square Blue Glass Bowl", initialed, 8 1/2 in. x 8 1/2 in. $1000/1500
Provenance: Acquired from the artist, c. 1960s.

164. Theora Hamblett (American/Mississippi, 1895-1977), "Multicolored Blue Glass Dish", dia. 9 in. $1000/1500
Provenance: Acquired from the artist, c. 1960s.



165. William Henry Buck (Norwegian/New Orleans, 1840-1888), "Live Oak with Moss", oil on academy board, pencil-signed "Sketch by Wm. H. Buck" and provenance inscriptions en verso, 9 1/4 in. x 12 1/4 in., framed. $8000/12000
Provenance: Estate of Jane and Stewart Maunsell.

166. Paul Ninas (American/New Orleans, 1903-1964), "Abstract Composition", mixed media on paper, pencil-signed lower right, 11 in. x 8 1/2 in., framed. $800/1200
Provenance: Estate of D. Clive Hardy, New Orleans.

167. George Schmidt (American/New Orleans, b. 1944), "Mardi Gras Scene", 2004, oil on canvas, signed and dated lower left, 21 1/2 in. x 16 in., framed. $1200/1800
Provenance: Estate of D. Clive Hardy, New Orleans.

168. Gifford Beal (American, 1879-1956), "Street Scene, Bermuda", watercolor and pencil on paper, signed lower right, titled and inscribed en verso, sight 9 1/2 in. x 13 1/2 in., framed. $800/1200

169. Sara Stites (American, b. 1950), "Untitled #5", 1984, mixed media on paper, artist, title and date on label en verso, sight 28 in. x 91 in., framed. $1000/1500
Provenance: Collection of Judy and the late Morris (1939-2017) Massey, New Orleans.



170. Louise Guidry (American/Louisiana, b. 1930), "Remembering Dhramsala", mixed media on canvas, signed lower right, 30 in. x 30 in., unframed. $1000/1500



171. Reginald Marsh (American, 1898-1954), "Untitled (Woman in Red Dress)", 1942 and "Untitled (Woman in Gray Dress)", 1943, 2 oils on board, each signed and dated lower right, 6 1/4 in. x 5 in. and 6 in. x 4 1/2 in., framed alike. (2 pcs.) $1500/2500

172. Gordon Snidow (American, b. 1936), "Appaloosas", oil on canvas, signed lower right, 12 in. x 16 in., framed. $1800/2500

173. Claude Schurr (French, 1921-2014), "Elysee Palace", oil on panel, signed lower right, "Newman Galleries" and "Georges de Braux, Inc., Philadelphia" labels en verso, 8 5/8 in. x 10 3/4 in., framed. $600/800
Note: The painting offered here is a prime example of Claude Schurr’s earlier figurative works. The Elysée Palace is presented in a three-quarter view as passersby populate the city streets in the foreground. The linear elements used to define the scene can be perceived as a precursor to the artist's later style when he adopted a brighter color palette and moved in the direction of cubism and abstraction.

174. Continental School, 19th c., "Still Life of Flowers in an Urn on a Stone Ledge", oil on canvas, unsigned, 39 1/2 in. x 31 1/2 in., period frame. $500/700
Provenance: Estate of D. Clive Hardy, New Orleans.

175. Leinad Van der Bock (Dutch, 19th c.), "Woman at a Well", oil on canvas, signed lower left, 24 1/4 in. x 16 in., framed. $1200/1800

176. French Art Nouveau Pewter Figural Vase, c. 1890, cast as a mermaid and waterspout, signed "J. Garnier" (French, 1820-1895), h. 14 3/4 in., w. 7 1/2 in., d.6 in. $700/900

177. Pair of Gilt Metal-Mounted Boullework and Ebonized Tazzas, 20th c., h. 8 1/2 in., dia. 6 in. $600/900



178. Fine English Camphorwood Tantalus, 19th c., marked "Braman, London", satinwood interior, with cut crystal decanters, cordial glasses, cigar cutter, match holder with strike, silverplate ashtrays, and whist gaming pieces, h. 14 1/4 in., w. 14 1/4 in., d. 12 1/2 in. $700/1000

179. Gorham "Clermont" Pattern Sterling Silver Flatware Service, pat. 1915, incl. 19 dinner forks (l. 7 5/8 in.), 10 luncheon forks (l. 7 1/8 in.), 24 knives (l. 9 5/8 in.), 6 knives (l. 8 3/4 in.), 16 salad forks, 18 cocktail forks, 16 ice cream forks, 8 soup spoons, 16 bouillon spoons, 6 dessert spoons, 16 teaspoons (l. 5 7/8 in.), 12 teaspoons (l. 5 5/8 in.), 16 ice teaspoons, 6 citrus spoons, 23 demitasse spoons, 15 butter spreaders (fh), baby spoon, 18 tablespoons, steak carving fork and knife (hh), fish serving knife, pierced serving spoon (l. 7 1/4 in.), salad serving spoon and fork (hh), berry spoon (hh), sugar shell, 2 master butter knives, gravy ladle, cream ladle, small tomato server, pickle fork, lemon fork, sugar tongs and master salt spoon, (263 pcs.), total wt. (weighable) 197 troy ozs. $3000/5000

180. Gorham "King Edward" Pattern Sterling Silver Flatware Service for Eight, pat. 1936, incl. 8 each: forks (l. 7 1/8 in.), knives (l. 8 7/8 in.), salad forks, cream soup spoons, iced teaspoons, teaspoons (l. 6 in.) and teaspoons (l. 6 1/8 in.), total wt. (weighable) 57.15 troy ozs. $1000/1500

181. American Sterling Silver Coffee and Tea Service in the Colonial Revival Taste, Mauser Mfg. Co., New York, act. 1893-1913, pattern 17168, incl. coffee pot (h. 9 in.), teapot (h. 7 in.), covered sugar, creamer and waste bowl, total wt. 49.95 troy ozs. $700/1000

182. Elkington-Style Silverplate and Cut Glass Centerpiece, c. 1900, standard of entwined palm trees, rockwork base mounted with a deer, cut glass centerbowl probably associated, h. 20 in., bowl dia. 13 1/4 in. $700/1000

183. Twelve English Sterling Silver "Onslow" Pattern Knives, Worcester Silver Co., London, 1965, l. 9 1/2 in. $300/400
Provenance: Estate of D. Clive Hardy, New Orleans.

184. George V Sterling Silver Tea Service, Cooper Brothers & Sons, Sheffield, 1919, mark reg. 1902, incl. teapot, open sugar and creamer, each paneled bombe form on cabriole paw feet, teapot h. 6 5/8 in., w. 11 in., total wt. 39.45 troy ozs. $700/1000

185. George III Sterling Silver Dressing Spoon, William Eley & William Fearn, London, 1818, mark reg. 1797 and 1814, fiddle thread pattern with engraved owl crest, l. 12 in., wt. 5.05 troy ozs. $150/250
Provenance: Estate of D. Clive Hardy, New Orleans.

186. Dutch .833 Silver Fish Set, J.M. van Kempen & Son, Voorschoten, early 20th c., incl. 11 fish forks and 12 fish knives, knife l. 7 1/4 in.; together with 4 Austrian .812 silver tablespoons, Vienna and Prague, early 19th c., l. 8 5/8 in.; total wt. 33.95 troy ozs. $300/500
Provenance: Estate of D. Clive Hardy, New Orleans.

187. Scottish George III Sterling Silver Dressing Spoon, Edinburgh, 1810, maker LB untraced, downturned fiddle typt handle, l. 12 1/2 in.; together with 9 Late Georgian silver teaspoons, maker WS untraced, beaded borders, l. 5 1/8 in., wt. 7.35 troy ozs. $200/300

188. Two French 1st Standard Silver Sugar Tongs, one by Philippe Berthier, Paris, wc. 1841-1851, with "filet" decoration and paw terminals, l. 5 7/8 in.; the other maker "J.D." untraced, also mid-19th c., "lover's knot" pattern with paw terminals, l. 5 7/8 in.; together with a French 1st Standard sugar sifter spoon; total wt. 5.60 troy ozs. $150/250
Provenance: Estate of D. Clive Hardy, New Orleans.

189. Antique English Silverplate Cake Basket, Boardman, Glossop & Co., Sheffield, wc. 1861-1927, h. (to top of handle) 9 1/2 in., w. 9 5/8 in; together with a silverplate and cut glass cruet stand, Walker & Hall, Sheffield, c. 1900, h. 10 in., w. 8 1/8 in.; and four German silverplate sauce bowls, Bruckmann, 20th c., h. 3 1/8 in., w. 5 1/8 in. $300/400



190. English Sterling Silver Fruit Set, London, 1887, James Wakely & Frank Clark Wheeler, mark reg. 1884, in fitted presentation case marked for retailer Manoah Rhodes & Sons Goldsmiths, Bradford, incl. two large berry spoons, 2 small berry spoons, sauce ladle, sugar sifter ladle and grape shears, with allover grapeleaf and vine decoration, large spoon l. 8 7/8 in., total wt. 11.15 troy ozs. $300/500

191. English Polychrome and Gilt Lacquered Papier-Mâché Tray, 19th c., decorated with hunting scene, h. 16 in., w. 22 in. $200/400



192. Antique English Papier-Mâché Tray, mid-19th c., marked Jennens & Bettridge, black ground with gilt highlights, mounted on later stand as a low table, h. 18 1/2 in., w. 32 in., d. 24 in. $200/300

193. Continental Bronze Figural Urn, c. 1900, winged mermaid handle, h. 18 1/2 in., w. 7 1/4 in., d. 4 1/4 in. $200/400

194. Pair of Continental Bronze Relief Plaques of Cupid, h. 10 in., w. 7 3/4 in. $300/500

195. Pair of Continental Bronze Cassolettes, 20th c., foliate decoration, tripodal legs, h. 12 3/4 in., dia. 6 in. $200/400

196. Six American Sterling Silver Julep Cups, incl. 4 by Newport and 2 by Manchester, all with reeded rims, h. 3 3/4 in., total wt. 23.90 troy ozs. $600/800
Provenance: Estate of D. Clive Hardy, New Orleans.

197. Twelve Tiffany "Vine (Gourd)" Pattern Sterling Silver Teaspoons, pattern introduced 1872, l. 6 in., total wt. 10.75 troy ozs. $300/500
Provenance: Estate of D. Clive Hardy, New Orleans.

198. Ten New Orleans Sterling Silver Souvenir Spoons, incl. teaspoons and demitasse spoons, various themes, incl. M. and Mme. Begue, Masonic Temple, St. Roch Chapel, Lee Monument, Canal St., etc.; together with 9 Wood & Hughes "Luxembourg" pattern forks, ret. H.P. Buckley, New Orleans, late 19th c., total wt. 21.70 troy ozs. $200/300
Provenance: Estate of D. Clive Hardy, New Orleans.

199. Group of Tiffany "Wave Edge" Pattern Sterling Silver Flatware, pat. 1884, incl. 4 forks, l. 8 in., and 6 teaspoons, l. 6 in.; total wt. 15.05 troy ozs. (10 pcs.) $300/500
Provenance: Estate of D. Clive Hardy, New Orleans.

200. Vintage Georgian-Style Silverplate Tea Tray, molded scroll border, loop handles and feet, flat-chased scroll well, 30 1/4 in. x 20 5/8 in. $400/600


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