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Information below is the lot/description information from our Spring Estates Auction, May 6, 7 & 8, 2016. Descriptions listed below are NOT guaranteed accurate. Call 1-800-467-5329 for general information on Neal Auction Company. Follow the catalogue link to order our beautifully illustrated catalogue.

You are at > Lots 1101-1200

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1101. Group of Antique Page Turners, incl. two sterling silver examples, c. 1900, by Gorham, l. 12 in., one with hollow handle; and one carved mother‑of‑pearl page turner, l. 8 1/2 in., total wt. (weighable) 4.10 troy ozs., (3 pcs.) [$300/500]

1102. Decorative Silverplate Lighthouse‑Form Cocktail Shaker, spurious hallmarks, h. 14 in. [$300/500]

1103. Handsome Silverplate Four Bottle Wine Cooler, marked "ROYAL CASTLE/SHEFFIELD/EP", with central covered ice well, loop handles, stepped circular base, h. 10 in., dia. 12 5/8 in. [$200/400

1104. American Brass Hall Lantern, early 20th c., scrolled supports, etched shade, and smoke bell, electrified, h. 67 in., dia. 16 in. [$600/900]

1105. Beaux Art Gilt Brass Four‑Light Gasolier, c. 1900, crown‑form dish, chains with cherub medallions, electrified, h. 66 in., dia. 24 in. [$600/900]

1106. Pair of Louis XVI‑Style Bronze and Marble Figural Six‑Light Candelabra, probably late 19th c., each with scrolling cornucopia of vinery candlearms, putto support, marble pedestal on shaped plinth, toupie feet, h. 24 1/2 in., w. 10 in. [$400/600]
Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

1107. Lalique "America's 32nd Cup" Clear and Frosted Glass Center Bowl, engraved "Lalique France", numbered "136/320", designed by Javier Mariscal, molded with geometric patterns and "32", engraved "America's 32nd Cup", h. 6 1/4 in., dia. 9 1/4 in. [$700/1000]
Provenance: Ex‑Collection Dr. Roger Hatchette, New Orleans, LA.
Note: The 32nd America's Cup, the world's most famous and prestigious regatta, was hosted in Valencia, Spain in 2007. As part of the celebration, Lalique commissioned Javier Mariscal, who created the graphic design for the competition, to create a limited edition commemorative bowl, as seen here. The bold typeface and geometric, linear patterns evoke the stylized flags and team logos emblazoned on the competitors' sailboats.
Ref.: "The Cup Runneth Over." Yachting Magazine. August, 2006: pg. 20.

1108. Group of Pins, incl. Masonic yellow gold and ruby double‑headed eagle stickpin; Imperial Russian white and yellow gold, blue enamel and rose diamond double‑headed eagle stick pin; yellow gold, black onyx and half pearl stickpin; and cameo tie tack. [$300/500]

1109. Baccarat "Vecteur" Blue and Clear Glass Vase, stamped and signed, designed 1990 by Nicolas Triboulot, circular cut glass base inset with triangular blue vase, h. 10 in., accompanied by original box. [$400/600]
Provenance: Ex‑Collection Dr. Roger Hatchette, New Orleans, LA.
Ill.: Curtis, Jean‑Louis. Baccarat. Editions du Regard: Paris, 1991.

1110. Lalique "Saumur" Clear and Frosted Glass Vase, engraved "Lalique France", molded with grapes and leaves, h. 5 1/4 in.; together with a Lalique "Aruba" clear and frosted glass ashtray, engraved "Lalique France", h. 2 3/4 in., (2 pcs.) [$300/500]
Provenance: Ex‑Collection Dr. Roger Hatchette, New Orleans, LA.

1111. Pair of Lalique "Ravelana" Clear and Frosted Glass Candlesticks, engraved "Lalique France", fan form bodies molded with leaves, removable candle cups, h. 8 in., w. 10 3/4 in. [$300/500]
Provenance: Ex‑Collection Dr. Roger Hatchette, New Orleans, LA.

1112. Two Baccarat "Intangible" and "Totem" Glass Vases, marked, first with molded circular pattern, h. 12 in.; second with molded pyramids, h. 7 7/8 in. [$400/600]
Provenance: Ex‑Collection Dr. Roger Hatchette, New Orleans, LA.

1113. French Gilt Bronze and Glass Cave à Liqueur, 19th c., scrollwork and floral hinged case, fitted interior with 4 decanters and 14 liqueur glasses, ball feet, h. 12 1/2 in., w. 16 in., d. 12 1/2 in. [$1000/2000]
Provenance: Ex‑Collection Ava and Jerry Gotlib, Ft. Smith, AR.

1114. Neoclassical‑Style Inlaid Satinwood and Mahogany Demilune Commode, labeled "Historic Charleston Reproductions, Baker Furniture", highly figured crossbanded top with radial inlay, case with oval panels, square tapered legs, h. 37 1/2 in., w. 48 in., d. 20 in. [$700/1000]

1115. Louis XVI‑Style Gilt Bronze‑Mounted Parquetry Lady's Writing Desk, superstructure with gallery and tambour compartments, frieze drawers, square tapered legs, brass ferules; together with Neoclassical‑style paint‑decorated side chair, pierced oval back with portrait medallion, shaped caned seat, tapered legs, toupie feet, desk h. 39 1/2 in., w. 37 1/2 in., d. 21 in., chair h. 39 1/2 in., w. 18 1/2 in., d. 18 in. [$800/1200]

1116. William IV Mahogany Serving Table, mid‑19th c., scrolled backsplash, frieze drawer, reeded legs, ball feet, casters, h. 39 in., w. 66 3/4 in., d. 24 in. [$700/1000]

1117. George III‑Style Carved Mahogany Breakfront Bookcase, stamped "Reprodux Made in England, No. 4280", dentilated and lancet arch cornice, astragal glazed doors; lower case with shaped panel doors, blocked base, h. 84 3/8 in., w. 80 in., d. 15 in. [$800/1200]

1118. Pair of Antique English Carved Mahogany Side Chairs, shaped backs, padded seats, ring‑turned tapered legs, brass ferrules, h. 34 3/4 in., w. 19 in., d. 16 3/4 in. [$250/350]

1119. Louis Philippe Rosewood Work Table, 19th c., shaped top, conforming frieze, blind drawer over pull‑out work compartment, cabriole legs, h. 28 1/4 in., w. 23 in., d. 16 1/2 in. [$500/750]
Provenance: Estate of Mina Anne Graning Stowers, the Banker's House, Natchez, MS.

1120. Pair of Large French Cast Iron Garden Frogs, probably 20th c., h. 11 in., w. 17 in. [$500/700]

1121. Pair of French Cast Iron Figures of Cows, h. 9 3/4 in., w. 15 1/2 in., d. 5 1/2 in. [$400/600

1122. Louis XV/XVI‑Style Giltwood Mirror, pierced rocaille crest with trailing flowers, molded frame, acanthus corners, h. 81 in., w. 44 in. [$1000/1500]
Provenance: Estate of Mina Anne Graning Stowers, the Banker's House, Natchez, MS.

1123. American Painted Cast Iron Garden Table, en suite with previous lot, h. 30 1/4 in., w. 40 in., d. 30 in. [$400/600]

1124. American Painted Cast Iron Garden Table, mid‑19th c., white marble top, foliate scrolled trestle base, dolphin feet, h. 30 1/2 in., w. 40 in., d. 30 in. [$400/600]

1125. George III Green Chinoiserie Lacquered Tall Case Clock, c. 1800, Thomas Barrett, London, brass and silvered dial with dolphins and cherubs, case decorated with vignettes, h. 87 in., w. 21 in., d. 10 1/2 in. [$1800/2500]

1126. Irish Georgian Mahogany Tall Case Clock, early 19th c, h. 94 1/2 in., w. 19 in., d. 9 7/8 in. [$800/1200]
Provenance: Estate of Mina Anne Graning Stowers, the Banker's House, Natchez, MS.

1127. English Burl Walnut Upright Piano, c. 1875, labeled "Dussek & Dussek, London", works labeled "London Piano Forte Co.", stamped "S. Banks", h. 49 1/2 in., w. 54 1/2 in., d. 25 1/2 in. [$800/1200]
Provenance: Sold to Benefit the Hermann‑Grima and Gallier Historic Houses Collections fund.

1128. Antique Walnut Extension Dining Table, demilune ends, tubular standard, scrolled brackets, scrolled legs, casters, with three leaves, h. 28 1/4 in., closed l. 53 in., extended l. 112 in., w. 54 in. [$1200/1800]
Provenance: Minor‑Surget Family, Oakland, Natchez, MS; Estate of Mina Anne Graning Stowers, the Banker's House, Natchez, MS.

1129. George III Inlaid Mahogany Sideboard, 19th c., crossbanded bowfront top, frieze drawer over tambour drawer, flanked by fitted baize‑lined drawer and cabinet, ring‑turned tapered legs, h. 36 in., w. 72 in., d. 27 1/4 in. [$1200/2000]

1130. English Carved Mahogany Armoire, mid‑19th c., shaped cornice with lamb's tongue molding, arched panel doors, rounded plinth, disc feet, fitted interior, h. 84 in., w. 60 in., d. 25 1/2 in. [$800/1200]
Provenance: Historic "Sally Mill", Middleburg, VA.

1131. Marble Bust of Marie Antoinette, on stepped plinth base, overall h. 27 in., w. 13 1/2 in., d. 7 1/2 in. Note: Minor chips and losses. [$1000/1500]

1132. Louis Philippe Carved and Gilded Trumeau Mirror, mid‑19th c., oil on canvas pastoral scene over rectangular mirror plate, all within a beaded frame, h. 63 3/8 in., w. 30 3/4 in. [$1000/1500]

1133. Pair of Louis XVI‑Style Ebonized and Carved Giltwood Mirrors, pierced urn and acanthus crests, beaded and foliate surrounds, beveled mirror plates, h. 46 in., w. 24 in. [$2000/3000]

1134. Suite of American Carved Walnut Seat Furniture, mid‑19th c., attr. to Alexander Roux, New York, incl. high back settee and pair of generous armchairs, with reticulated crests, barley‑twist stiles and stretcher, block‑turned legs; together with associated pair of side chairs with reticulated foliate crest, turned baluster stiles, cup and cover legs, ring‑turned stretcher, settee h. 57 1/2 in., w. 71 1/4 in., d. 22 in. [$1500/2500]
Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1135. Walter Rutkowski (American/Louisiana, b. 1940), "Pontchartrain Suite: Bayou Scene", colored pencil, graphite and mixed media on paper, unsigned, sight 27 3/4 in. x 38 in., framed. [$700/1000]

1135A. Walter Rutkowski (American/Louisiana, b. 1940), "Chevy on the Levy II", 1977, graphite, ink and mixed media on paper, unsigned, New Orleans Museum of Art shipping receipt with title and date from the 1997 "Walter Rutkowski Drawings" exhibition en verso, 23 1/8 in. x 29 in., framed. [$700/1000]
Exh.: Walter Rutkowski: Drawings, New Orleans Museum of Art, Dec. 6, 1997 ‑ Mar. 1, 1998, and listed in the accompanying catalogue, no. 2, p. 25.             

1136. Alexander John Drysdale (American/New Orleans, 1870‑1934), "Lone Live Oak Tree at a Bend in the Bayou", oil wash on board, signed lower right, sight 19 1/4 in. x 29 in., framed. [$1500/2500]

1137. Julia Michel Black (American/New Orleans, d. 1968, act. Newcomb College, 1903‑1907, 1913‑1916), "Still Life of Pottery (unfinished still life en verso)", oil on board, signed lower right, "Taylor Clark, Fine Prints, Paintings and Framing, Baton Rouge, LA" label en verso, 14 in. x 11 1/2 in., framed. [$600/800]
Provenance: Previously in the collection of Dr. James Nelson, Gonzales, LA.

1138. Nestor Hippoyle Frugé (American/New Orleans, 1916‑2012), "Royal Street" and "Courtyard", two oils on canvas, signed lower left and right respectively, both pencil‑inscribed "Mrs. Boyle" en verso, each 20 in. x 16 in., framed alike. [$1500/2500]

1139. Alan Flattmann (American/New Orleans, b. 1946), "Amen: New Orleans Jazz Funeral Series", 1970, oil on canvas, signed and dated lower left, titled, "Bryant Galleries, Inc., Jackson, MS" label and printed artist biography en verso, 16 1/4 in. x 24 in., framed. [$1200/1800]
Provenance: Collection of a Mississippi Gentleman.
Note: Born and raised in New Orleans, Alan Flattmann is known for his classic New Orleans scenes. He often paints familiar subjects and locations at different times and during different seasons as a way to document the changing city. In the painting offered here, he explores the theme of the jazz funeral, an event unique to New Orleans, by depicting two men part of the funeral procession as well as the preacher at the grave site. Flattmann’s works from this series explore both the somber initial march to the cemetery, as well as the vibrant celebratory second line that follows the funeral and honors the deceased with a wild celebration of his/her life.
Ref.: Flattmann, Alan, and John R. Kemp.An Artist's Vision of New Orleans: The Paintings of Alan Flattmann. Gretna: Pelican Publishing Company, Inc., 2014, p. 63.

1140. Howard Finster (American/Georgia, 1916‑2001), "Jane Beaddock Who Is...", 1982, mixed media on board, signed, dated and inscribed lower right, 18 in. x 29 in., framed. [$1500/2500

1141. Clementine Hunter (American/Louisiana, 1886‑1988), "Three Trees: Courting in the Garden", oil and graphite on paper, signed "Clemence" lower right, pencil‑monogrammed mid‑left, titled en verso, 11 1/2 in. x 14 1/2 in., framed. [$1500/2500]

1142. James Michalopoulos (American/New Orleans, b. 1951), "T‑Bungler", 1992, oil on canvas, initialed "M" lower right, signed "Mitchell", titled, dated, inscribed "New Orleans" and "Uptown Gallery, Fine Art Conservation Framing, NY" label en verso, 15 in. x 30 in., framed. [$1500/2500]

1143. Alberta Kinsey (American/New Orleans, 1875‑1952), "French Quarter Courtyard", oil on board, signed lower right, "Farish Art Store, Royal St, N.O." label en verso, 14 in. x 11 1/4 in., period frame. [$1000/1500]

1144. P. Sanders McNeal (American/Mississippi, 20th/21st c.), "Still Life of a Tea Service", 1991, oil on canvas, signed and dated lower right, 16 in. x 20 in., framed. [$800/1200]
Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

1145. Patricia Watson (American/Texas, late 20th c.), "Evening Pass", 1985, oil on canvas, signed and dated lower right, artist's card and "Richardson Civic Art Society Regional Painting and Sculpture Show" entry labels with title en verso, 24 in. x 36 in., framed. [$500/800]

1146. Nester Hippoyle Frugé (American/New Orleans, 1916‑2012), "Pirate's Alley, French Quarter" and "View of St. Peter Street, French Quarter", two watercolors on paper, signed lower right and left respectively, sights 10 1/2 in. x 8 in., framed. [$250/350]

1147. W. Stuart Archibald (American/Louisiana, 20th c.), "The Dunes", two watercolors on paper, each signed lower left, sights 3 1/2 in. x 3 1/2 in. and 3 1/2 in. x 4 1/8 in., framed together. [$200/300]

1148. Louise Sarrazin (American/Louisiana, 1888‑1967), "Morning Gossip", watercolor on paper, signed lower right, pencil‑signed and titled on mat board, sight 5 3/8 in. x 7 1/2 in., framed. [$700/1000]

1149. Emmitt Thames (American/Mississippi, b. 1933), "Hot Dry Summer", 1986, watercolor on board, signed lower right, artist's stamps, title and date en verso, 15 in. x 22 in., framed. [$800/1200]

1150. Roger C. Holt (American/New Orleans, 1905‑1979), "Evening: Outskirts of Town", oil on board affixed to masonite, signed lower left, 13 3/4 in. x 24 in., period frame. [$500/800

1151. John Hodge (American/Louisiana, b. 1947), "Steps at Night, Lakeview Series", 1973, acrylic on canvas, signed and dated upper left, "Galerie Simone Stern, Royal St., New Orleans" label with title en verso, 60 in. x 72 in., unframed. [$400/600]

1152. Robyn "The Beaver" Beverland (American/Florida, 1957‑1998), "Happy Cat", "Dog, Here's Looking at You Cheers, Dog Here's to You Cheers, Good Dog Nobodys [sic] Looking Cheers" and "Ridding [sic] is fun per us Angels", 1997, 3 mixed media on plywood, all signed "The Beaver" and dated lower right or left, each titled, 24 in. x 24 in., 12 in. x 48 in. and 12 in. x 12 in., unframed. (3 pcs.) [$500/800]

1153. Louisiana School, mid‑20th c., "Cypress Trees with Distant Bridge", oil on canvas, unsigned, 24 in. x 18 in., framed. [$800/1200]

1154. Billy Price Carroll (American/Tennessee, 1920‑2011), "Idle Hands: Sunday Morning", c. 1940, oil on canvas, signed lower right, signed and 3 labels with title en verso, 24 in. x 20 in., framed. [$1200/1800]
Provenance: Descended in the family of the artist.
Note:
Billy Price Carroll, a Tennessee native, was among a talented group of women artists, who helped define Southern portraits and landscapes in the mid-20th century. Her career spanned 63 years with 55 worldwide solo exhibits. Known for her expressive use of color, modeling, and bold lines influenced by Chinese calligraphy, Carroll quickly became a “household name” in Memphis. According to the Tennessee paper the Commercial Appeal, her “portraits hung in hundreds of living rooms by the 1960s.”
Carroll attended the Memphis Art Academy, the Farnworth School of Painting in Florida and the Accademia di Belle Arti in Florence, Italy. She also spent several years in Hong Kong, studying calligraphy and ink wash paintings, which culminated in the first major exhibit of Chinese art by a Westerner at the National Taiwan Historical Museum in Taipei.
The painting offered here is an excellent forerunner to Carroll’s mature works that combine multiple styles to better elucidate the comportment of the sitter or ambience of the setting. Painted while still a student at the Memphis Art Academy, months before she married, “Idle Hands: Sunday Morning” combines academic modeling (the young man’s face) with flat geometric abstraction (paper) to capture the wistful expressiveness of a teenager daydreaming before the Sunday comics. The engaging painting recalls the experimental paintings of Marie Hull and Josephine Crawford, who also achieved critical acclaim for their contemporary views of the South.

Ref.: Northrop, Guy. “Billy Price Carroll in the Orient”. Commercial Appeal (Memphis, TN) Sunday, March 16, 1969: 83; “About Billy”. Billy Price Carroll. 2011. www.billypricecarroll.com . Accessed Aug. 20, 2014.

1155. Erasmus Humbrecht (French/Louisiana, 1845‑1901), "Country Church with Trompe L'Oeil Oval Frame", 1893, oil on canvas, signed and dated lower right, 25 in. x 30 in., antique gilt frame. [$700/900]
Provenance: Antiquarian Thomas Wilmot (Twik) Klein, St. Francisville, LA; D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

1156. Marie Atkinson Hull (American/Mississippi, 1890‑1980), "Portrait of a Woman", charcoal on paper, signed lower right, 18 1/2 in. x 15 1/4 in., framed. [$500/800]
Provenance: Descended in the family of the artist.

1157. Polly Ammons (American/Mississippi, 1928‑2015), "View of Upper Pontalba Apartments, Le Petit Theatre and Cabildo on Jackson Square, New Orleans", oil on canvas, signed lower right, 18 in. x 24 in., framed. [$400/600]

1158. Ferris Patrick Hotard (American/New Orleans, 20th c.), "Water Lilies", 1979, watercolor on paper, signed and dated lower left, sight 19 1/2 in. x 28 1/2 in., framed. [$500/800]

1159. Southern School, 19th c., "Portrait of a Young Boy and his Hobby Horse", oil on canvas, unsigned, partial labels en verso, 18 1/4 in. x 13 1/2 in., period frame. [$1000/1500]
Provenance: Acquired from the Estate of Major General Will Hill Tankersley, Montgomery, AL.

1160. American School, late 19th c., "Sweethearts in Period Costume", oil on canvas, signed "Case" lower left, 20 in. x 30 in., framed. [$500/800]
Provenance: Villa Wofford Clark, Birmingham, AL.

1161. American School, c. 1780, "Eleanor McCray Thompson (1756‑1850)", oil on canvas, unsigned, handwritten label en verso, 22 1/4 in. x 19 1/2 in., framed. [$500/700]

1162. Eleanore Kentner Kohler (American/California, 1887‑1967), "Under the Sycamore", oil on canvas, signed lower left, 20 in. x 24 in., period frame. [$400/600]

1163. American School, late 19th c., "Still Life of Peaches", oil on canvas, unsigned, 18 in. x 23 3/4 in., period frame. [$700/900]

1164. Rare American Gothic Mahogany Dressing Chest, mid‑19th c., gothicized mirror on tapered supports, two glove boxes over three graduated drawers, ogee bracket feet, h. 88 in., w. 48 in., d. 22 in. [$800/1200]
Provenance: Hemlock Hall, Beersheba Springs, Tennessee.

1165. Six Chippendale‑Style Carved Mahogany Dining Chairs, incl. 2 armchairs and 4 side chairs, patera carved crest, reticulated lyre splat, trapezoidal seat, cabriole legs, claw‑and‑ball feet, h. 38 in., w. 22 1/2 in., d. 18 7/8 in. [$1500/2000]

1166. American Federal‑Style Inlaid Mahogany Corner Cabinet, probably 19th c., molded cornice, plain frieze, glazed doors, shelf interior, base with frieze drawer flanked by small compartments, paneled doors below, shaped apron, bracket feet, h. 83 3/4 in., w. 51 in., d. 25 in. [$800/1200]

1167. American Late Classical Mahogany Secretary Bookcase, c. 1830, cove‑molded cornice, pair of glazed doors, fall front desk with fitted interior, ogee drawer above 2 drawers, shaped bracket feet, h. 90 1/2 in., w. 50 in., d. 21 in. [$1000/1500]

1168. American Aesthetic Carved Cherrywood Breakfront Bookcase, late 19th c., spindled crest centered by sunflower panel, glazed doors, adjustable shelf interior, conforming base with drawers over garland carved doors, fluted stiles, h. 103 1/2 in., w. 78 1/2 in., d. 21 1/2 in. [$800/1200]

1169. American Rococo Mahogany or Rosewood Armoire, mid‑19th c., arched crest, shaped mirrored door, base drawer, disc feet, dark surface, h. 97 1/2 in., w. 51 in., d. 25 5/8 in. [$800/1200]
Provenance: Sold to Benefit the Hermann‑Grima and Gallier Historic Houses Collections fund.

1170. American Classical‑Style Carved Mahogany Settee, scrolled crest, shaped cornucopia arms, blocked and torus‑molded seat rail, winged hairy paw feet, h. 36 1/4 in., w. 64 1/2 in., d. 26 1/2 in. [$800/1200]
Provenance: Estate of Mina Anne Graning Stowers, the Banker's House, Natchez, MS.

1171. American Aesthetic Birdseye Maple Faux Bamboo Bed, late 19th c., possibly R. J. Horner & Co., New York, recessed‑panel headboard, tubular crest, shaped foot board, conforming rails, disc feet, h. 55 1/2 in., l. 78 in., w. 48 in. [$300/500]

1172. American Aesthetic Birdseye Maple Faux Bamboo Chest and Mirror, late 19th c., chest with turreted corners, graduated drawers, casters, matching beveled mirror, h. 73 1/8 in., w. 48 3/4 in., d. 21 1/4 in. [$400/600]

1173. Associated Pair of American Rococo Carved Armchairs, mid‑19th c., one rosewood and one with dark finish, h. 45 in., w. 25 1/2 in., h. 44 1/4 in., w. 25 1/2 in. [$300/500]
Provenance: Hemlock Hall, Beersheba Springs, Tennessee.

1174. American Late Classical Carved Mahogany Armoire, 19th c., stepped cornice, two shaped paneled doors, two drawers, shaped apron, h. 88 in., w. 61 in., d. 19 in. [$300/500]
Provenance: Hemlock Hall, Beersheba Springs, Tennessee.

1175. American Carved Mahogany "Morris" Chair, late 19th c., probably Allen & Bro., Philadelphia, reeded crest, slat back, turned finials, padded arms, spindled supports, square legs, casters. [$200/400]

1176. Antique Marquetry and Parcel Ebonized Burl Walnut Sewing Table, 19th c., top with floral bouquet, cabriole legs, foliate stretcher, h. 28 1/2 in., w. 25 in., d. 17 1/2 in. [$250/350]
Provenance: Sold to Benefit the Hermann‑Grima and Gallier Historic Houses Collections fund.

1177. American Carved Walnut Campeche Chair, late 19th c., arched and scrolled crest, incised stiles, scrolled arms, curule base, casters, h. 46 in., w. 22 3/4 in. [$400/600]

1178. American or English Carved Fruitwood Étagère, three tiers, turned supports, base drawer, casters, h. 411 3/4 in., w. 18 in., d. 16 1/2 in. [$200/300]

1179. Georgian‑Style Mahogany Secretary Bookcase, dentil‑molded cornice, astragal glazed doors, slant‑front writing surface, fitted interior, two over three graduated drawers, ogee bracket feet, h. 80 1/2 in., w. 38 in., d. 21 1/4 in. [$700/1000]

1180. Federal‑Style Inlaid Mahogany Sideboard, stamped "Virginia Galleries, Furniture by Henkel‑Harris, Winchester Virginia", brass gallery, serpentine top, conforming case, two graduated drawers flanked by side cabinets, square tapered legs, h. 42 in., w. 66 1/4 in., d. 26 in. [$800/1200]

1181. Set of Six Chippendale‑Style Carved Mahogany Dining Chairs, incl. four side chairs and two armchairs; together with pair of Queen Anne‑style side chairs, all labeled "Georgian Furnishings Co.", Chippendale armchair h. 38 in., w. 27 in., side chair h. 37 in., w. 23 1/2 in.; Queen Anne‑style chair h. 40 in., w. 22 in. (8 pcs.) [$500/700]

1182. Regency Mahogany Breakfast Table, h. 28 5/8 in., w. 56 5/8 in., d. 52 5/8 in. [$1000/1500]

1183. George III‑Style Mahogany Two Pedestal Dining Table, crossbanded top with reeded edge, foliate baluster standard, reeded sabre legs, brass capped paw feet, casters, h. 29 1/2 in., closed l. 76 in., extended l. 116 in., w. 46 in. [$1000/1500]

1184. Pair of Empire‑Style Crème Peinte and Gilt Wine Stands, each fitted with silverplate wine cooler, pseudo mark, with stag's head handles and removable liner; the stand with classical gilt brass mounts, medial shelf and paw feet on incurvate triangular base, overall h. 39 3/4 in. [$500/1000]

1185. Pair of Louis XVI‑Style Bronze‑Mounted and Parquetry Petite Commodes, shaped marble top, conforming cases, two short drawers, chamfered stiles, scalloped aprons, cabriole legs, sabots, h. 29 in., w. 23 3/4 in., d. 15 3/4 in. [$300/500]

1186. Continental Polychrome Porcelain Covered Cistern, late 19th/early 20th c., half barrel form with bird and flower decoration, wood spigot, h. 13 in., w. 12 in., d. 8 1/2 in. [$150/250]

1187. English or Continental Polychrome Porcelain Ewer and Basin, late 19th/early 20th c., decorated with insects and flowers, pitcher h. 11 1/2 in., basin w. 13 1/2 in. [$250/500]

1188. Decorative Pair of Chinese Blue and White Porcelain Covered Tea Canisters, probably 20th c., decorated with willow and architectural scenes, h. 11 7/8 in., now mounted as lamps, h. (to socket) 14 3/4 in. [$250/500]

1189. French Gilt Bronze and Crystal Six‑Light Chandelier, 20th c., vasiform standard, foliate arms, h. 21 in., dia. 26 in. [$500/700]

1190. Good Antique French Enameled Mercantile Sign, late 19th c., promoting the midwife services of mesdames Cognard & Buzenet, h. 25 1/4 in., w. 20 in., d. (in center) 3 1/2 in. [$800/1200]

1191. Pair of French Bronze and Marble Three‑Light Candelabra, late 19th c., foliate designs, toupie feet, h. 12 in., w. 8 in., d. 3 1/4 in. [$500/700]
Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS.

1192. Green Tôle Peinte Bouillotte Lamp, brass upright support, reticulated shade, weighted circular base, h. 19 in., w. 7 in., d. 11 1/4 in. [$400/600]

1193. Pair of George III‑Style Mahogany Cutlery Urns, h. 26 in., dia. 9 1/4 in. [$200/400]

1194. [Decorative Leather Bindings], Dickens, Charles. Dicken's Works, 15 volumes, New York, United States Book Co., c. 1890, 4to, 3/4 leather with marbled boards. [$150/250]

1195. [Collection of Fourteen Reference Books], incl. The Lamps of Tiffany; Handel Lamps, Painted Shades and Glassware; Styles of American Furniture, 1860‑1960; American Furniture of the 19th c., 1840‑1880; A Victorian Chair ‑ Facsimile of Brooklyn Chair Co. Catalogue of 1887; Henshaw & Sons 1883 Chair Catalogue; Wooten Patent Desks; The Dictionary of English Furniture; Classical Furniture; Pottery; Collectors Encyclopedia of Rosewood Pottery; Collector's Encyclopedia of Heisey Glass, 1925‑1938; Wedgwood Rarities; and Ispanky. [$400/600]

1196. Group of New Orleans Carved Cypress Architectural Fragments, late 19th c., incl. porch railing segment, scalloped bracket, and appliqués; together with group of carved wood architectural elements and pair of faux bois doors, one faux rosewood and one faux tiger maple, h. 95 1/4 in., w. 23 3/4 in. and 20 in. [$300/500]
Provenance: Sold to Benefit the Hermann‑Grima and Gallier Historic Houses Collections fund.

1197. Set of Six Patinated Iron Chairs, slat backs, scrolled stiles, cabriole legs, stretchers, h. 37 in., w. 18 1/2 in., d. 18 1/4 in. [$700/1000]

1198. Pair of Patinated Cast Iron Egrets, h. 30 in., h. 28 3/4 in. [$400/600]

1199. Antique Verdigris Patinated Cast Iron Birdbath, scallop shell reservoir, dolphin standard, cast iron plinth, h. 35 in., w. 25 in., d. 21 3/8 in. [$1200/1800

1200. Group of Antique Wrought and Cast Iron Architectural Elements. [$300/500]
Provenance: Sold to Benefit the Hermann‑Grima and Gallier Historic Houses Collections fund.

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