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Information below is the lot/description information from our Fall Estates Auction, September 15 & 16, 2018. Descriptions listed below are NOT guaranteed accurate. Call 1-800-467-5329 for general information on Neal Auction Company. Follow the catalogue link to order our beautifully illustrated catalogue.

You are at > Lots 601-700

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601. [Mardi Gras], 11 Carnival pins, incl. Atlanteans, 2011 and 2014; Rex, 2011 and 2015; Mystic, 1991, 1992, 1993, 2004, 2010 and 2011; and Poseidon, 2010. $300/500

602. [Mardi Gras], 2009 Comus Carinval favor set, with blue and clear faceted stones in the form of a "Bee"; together with a crown-shaped brooch and fleur-de-lis brooch. $200/300

603. Painted Metal Necklace and Pair of Long Dangle Earrings. $150/250

604. Unusual Group of Five Single Art Moderne Mixed Metal and Gem Set Earrings; together with a pair of gem set dangle earrings. $150/250

605. Group of Middle Eastern Jewelry, incl. coral set necklace, turquoise set necklace, pair of coral set earrings. $200/400

606. Long Lariat Necklace, comprised of quartz beads with genuine branch coral and two large gray baroque pearls. $300/500

607. Gilt Metal Bib Necklace, with yellow gold chain and clasp. $100/200

608. Group of Mexican Sterling Silver Jewelry, incl. matching necklace, bracelet and pair of clip earrings. $150/250

609. Group of Sterling Silver Jewelry by Gayle Clark, incl. pendant, pair of earrings, and brooch; together with a large pair of sterling silver clip earrings. $150/250

610. Group of Three Mexican Sterling Silver Brooches, set with pink quartz and green quartz. $150/250

611. Pair of Native American Sterling Silver and Gem Set Earrings, signed Nakai. $100/200

612. Group of Mexican Sterling Silver Jewelry, incl. 4 pairs of earrings, 3 necklaces, 3 bracelets, and a pendant, total wt. 7.6 troy ozs. $150/250

613. Pair of Sterling Silver and Gem Set Pendant Earrings. $100/200

614. Two Turquoise Bead Necklaces; together with a large turquoise pendant. $150/250

615. Two Costume Amber-Like Bead Necklaces and Pair of Earrings, lighter, yellowish beads probably reconstituted molded amber. $150/250

616. Three Tigerseye Necklaces; together with a pair of tigerseye earrings. $150/250

617. Multi-Strand Turquoise Bead Necklace and Matching Bracelet, both with mother-of-pearl clasps. $150/250

618. Multi-Stone Triple Strand Necklace, with sterling silver clasp. $300/500

619. Two Interesting Bead Necklaces; together with a hinged black and white bracelet, and a pair of silver and wood earrings. $200/400

620. Mignon Faget 14 kt. Yellow Gold "Louisiana Iris" Brooch; together with a pair of Mignon Faget gilt "ribbon" earrings, wt. 13.5 dwt. $400/600

621. 18 kt. Yellow Gold and Jasper Egg Pendant on 18 kt. Yellow Gold Chain; together with an 18 kt. yellow gold ribbon ring, size 6. $300/500

622. Middle Eastern 18 kt. Yellow Gold Conjoined Band of Seven Rings; together with 18 kt. yellow gold puzzle ring (as found), wt. 7.5 dwt., ring sizes 6 and 7.5. $200/300

623. 14 kt. Yellow Gold "S" Design Neckchain, l. 27 in.; together with a 14 kt. yellow gold link neckchain, l. 24 in., total wt. 7 dwt. $200/300

624. Chinese Hardstone Bead and Toggle Necklace, incl. floral, bead, double dragon, and barrel-form tied together to form a pendant suspending a silk rope tassel, overall hardstone h. 3 in. $300/500

625. Single Strand of Graduated 6.5-13 mm. Angel Skin Coral Beads. $200/300

626. 14 kt. Yellow Gold and Star Diopside (Black Star of India) Link Bracelet. $400/600

627. Large Oval Star Diopside Pendant in 14 kt. Yellow Gold Frame. $300/500

628. Brown Mink Hat, with original hat box. $100/200

629. Vintage French Industrial "Zig-Zag" Lamp, c. 1950, probably by Jielde, Lyon, designed by Jean-Louis Domecq, articulated arm, weighted steel base, tallest h. 62 in. $150/250

630. Memphis-Style Table Lamp, by Casella Lighting, CA, enameled metal, swing arm, h. 19 1/4 in. $200/400

631. Mario Villa Patinated Iron and Glass Side Table, 20th c., tripartite base, h. 24 1/2 in., dia. 23 1/2 in. $250/350

632. Mission-Style Carved Teak Table and Four Chairs, table with round slatted top; chairs with shaped crest rail, slatted back and seat, scrolled arms, trestle base, table h. 28 in., dia. 42 in.; chair h. 34 in., w. 22 1/4 in., d. 20 3/4 in. $1000/1500

633. Contemporary American Rosewood Low Table, 20th c., by Councill Furniture, rosewood veneered top, painted base with stretcher shelf, h. 20 1/4 in., w. 58 1/4 in., d. 30 in. $300/500

634. Large Contemporary Industrial Lamp on Stand, 20th c., h. 75 in., shade dia. 21 1/4 in. $300/500

635. Four Contemporary Teak Folding Chairs, 20th c., with canvas back and seat, arms with rounded ends, h. 36 in., w. 28 in., d. 23 1/2 in. $700/900

636. Four Teak Folding Chairs, h. 35 in., w. 25 1/2 in., d. 22 in. $500/700

637. Vintage Upholstered Easy Chair and Ottoman, red chintz upholstery, chair h. 32 in., w. 33 in., d. 36 in., ottoman h. 18 in., w. 29 in., d. 19 in. $300/500

638. Vintage Upholstered Chaise Longue, loose down seat and back cushions, red chintz upholstery, square tapered legs, adjustable back goes flat, release lever on back, h. 31 in., w. 57 in., d. 29 in. $300/500

639. American Belle Époque Cast Iron Table, later granite top, fluted standard, anthemion and mask mounts, hocked legs, paw feet, casters, h. 32 in., dia. 39 in. $200/400

640. Antique Neoclassical-Style Mahogany Bouillotte Table, slate top, brass gallery, two frieze drawers, candle slides, square tapered legs, brass cuffs, h. 28 1/2 in., dia. 26 in. Note: Condition. $150/250

641. Four French Provincial-Style Beechwood Armchairs, shield back, cabriole legs, green leather upholstery, h. 37 in., w. 25 in., d. 21 1/2 in. $400/600

642. Louis XV-Style Bronze-Mounted Mahogany Vitrine Table, shaped inset glass top, conforming case, cabriole legs, h. 28 1/2 in., w. 24 in., d. 14 in. $200/300

643. Continental Bentwood Armchair, shaped seat back, caned seat, tapered legs, h. 39 in., w. 23 1/4 in., d. 19 1/2 in. $150/250
Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

644. Biedermeier Carved Cherrywood Settee and Two Armchairs, 19th c., each with scrolled crest rail, pierced back, settee h. 39 in., w. 55 1/2 in., d. 24 in., armchair h. 36 1/2 in., w. 23 1/2 in., d. 20 3/4 in. $800/1200
Provenance: From noted antiquarian Cary Long (Goudeau Antiques), Baton Rouge.

645. Jean Seidenberg (American, b. 1930), "Enamel and Metal Relief for Motel del Ville", 1956, mixed media on paper, pencil-signed lower right, signed, titled and dated lower left, inscribed upper right, 9 3/4 in. x 17 1/2 in., framed. $400/600
Note: In 1955, Jean Seidenberg was commissioned to create a mosaic encompassing the spirit of Mardi Gras for the Motel-de-Ville cocktail lounge. Motel-de-Ville was a motel designed by architect Charles Colbert located at 3800 Tulane Avenue that included a pool, cocktail lounge, and restaurant and was touted as an up and coming venue.

646. George Valentine Dureau (American/New Orleans, 1930-2014), "Male Figure Study", charcoal on paper, signed and dated lower right, 18 in. x 12 in., framed. $400/600

647. Withdrawn

648. Connie Kittok (American/New Orleans, b. 1956), "Zulu Social and Pleasure Club", acrylic on canvas, signed lower right, overall 29 3/4 in. x 24 1/2 in., mounted on board. $500/800

649. Willie White (American/Louisiana, 1908-2000), "Dinosaurs, Trees and Tomatoes", 1988, marker on canvas, signed and dated on stretcher bar, 30 in. x 36 in., framed. $300/500
Provenance: Finley Collection.
Exh.: "Soul Providers: African-American Art from the Finley Collection Original Paintings & Sculpture by Self-Taught Artists", The Ohr-O'Keefe Museum of Art, Biloxi, MS, Jan. 11 - Feb. 22, 2002 and listed in accompanying catalogue; "Finley Collection", Natchez Museum of African American History and Culture, Natchez, MS, May 2009 - May 2013; "The John and Pam Finley Collection of African and Folk Art", University of Wyoming Art Museum, Laramie, WY, June 8 - Aug. 17, 2013.

650. Willie White (American/Louisiana, 1908-2000), "Dinosaurs, Watermelons and Crosses (Dinosaurs and Structure)", double-sided painting, signed lower right and lower left, 21 1/2 in. x 27 1/2 in., double-sided frame. $500/800
Provenance: Gilley's Gallery, Baton Rouge, LA; Finley Collection.
Exh.: "Soul Providers: African-American Art from the Finley Collection Original Paintings & Sculpture by Self-Taught Artists", The Ohr-O'Keefe Museum of Art, Biloxi, MS, Jan. 11 - Feb. 22, 2002; "Finley Collection", Natchez Museum of African American History and Culture, Natchez, MS, May 2009 - May 2013; "The John and Pam Finley Collection of African and Folk Art", University of Wyoming Art Museum, Laramie, WY, June 8 - Aug. 17, 2013.

651. Alvin Batiste (American/Louisiana, b. 1962), "People Are Picking Mustard Greens, and Getting Ready for the Washing Sahed [sic]", 2001, oil on canvas, signed and dated lower right, signed, titled and dated on stretcher, 24 in. x 18 in., framed. $400/600

652. John Mitchell (American/Savannah, 20th c.), "Nude Woman", 1998, oil on board, signed and dated, 23 1/2 in. x 24 in., framed. $500/800
Note: John M. Mitchell is originally from North Carolina, and as an art student at North Carolina Central University, he was involved with the Civil Rights movement including participating in a sit-in protest in Durham in 1963. After graduating, he was one of the first art teachers to take a position at the newly integrated schools in his home state. Mitchell continued his education in the 1990s and earned an MFA in painting from the Savannah College of Art and Design in 1993. He later served as a professor there from 1998-2006. Of his inspiration to create, Mitchell says: "My bittersweet past, growing up in the segregated south, inspires the content, focus and narrative.” In the painting "Dancers” offered here, Mitchell depicts five silhouetted figures with their hands linked, so that it is not possible to see where one figure ends and another begins - telling a story of movement and animation.

653. Sam Minot (American/Maine, b. 1962), "1400 Eight Street, NOLA", 1992, oil on panel, signed and dated lower left, titled en verso, 12 in. x 16 in., unframed. $700/1000
Note: Sam Minot is a Maine-based artist who documents his travels through his painting. His works have a crisp quality, with nearly cloudless, clear skies and strong sunlight. He masterfully depicts his favorite locations playing with light, shadow and reflections. His works are well-executed studies in composition, almost photographic in their carefully cropped arrangement. While Minot primarily lives in Maine, his many travels have often brought him to New Orleans, where he exhibited with the Hall Barnett Gallery and his works have been included in the collections of the Katz and Besthoff corporate headquarters, Herbert Halpern, Nancy Lemann, and George Febres. The house on Eighth Street depicted here still exists today; the sleek, stylized manner in which Minot depicts the home, sidewalk, and trees perfectly fits his oeuvre and skillfully highlights the beauty of the composition of this New Orleans neighborhood scene.

654. Sam Minot (American/Massachusetts, b. 1962), "Mill River, Vinalhaven, Maine", 1991, oil on canvas, signed and dated lower right, pencil-signed and titled en verso, 17 in. x 22 in., framed. $600/800

655. Andrew Murray (South African, 1917-1998), "Chelsea Houseboats", 1975, oil on canvas, signed lower right, "Portal Gallery, London" label with artist, title and date en verso, 20 in. x 23 1/2 in., framed. $500/800

656. George Valentine Dureau (American/New Orleans, 1930-2014), "A Carnival Bestiary, Mardi Gras New Orleans", color lithograph, pencil-signed and inscribed "1830/5000" lower margin, sight 34 1/2 in. x 23 in., framed. $400/600

657. Robert Gordy (American/New Orleans, 1933-1986), "Wall (5 Figures)", color screen print, signed and numbered "38/75" lower left, initialed en verso, 24 3/4 in. x 48 1/4 in., framed. $400/600

658. Michael Murphy (American, 1941-1986), 3 linocuts, "The Crossing", signed, titled and numbered "28/75", 14 in. x 18 7/8 in., "Let's Call the Whole Thing Off" signed and numbered "27/125" lower right, 9 in. x 11 7/8 in., and "New Orleans Backyard", signed and numbered "16/100" lower right, 11 7/8 in. x 9 in., all framed. (3 pcs.) $250/350

659. Pat Garin (American/New Orleans, b. 1957), "St. Louis Cathedral", 2008, silver gelatin print, pencil-signed lower margin, sight 23 1/2 in. x 15 1/2 in., framed. $200/300

660. Rell Sam Clements (American, 19th/20th c.), "ZR3 Entering Hangar First Time, Naval Station, Lake Hurst, N.J.", c. 1924, silver gelatin panoramic print, signed and inscribed "#7921" lower left, titled lower center, 9 in. x 43 in., framed. $400/600

661. Luke Fontana (American/New Orleans, 20th c.), "Sister Gertrude Morgan" and "Louis Cottrell Jr.", 2 photographs and acrylic on canvas, former signed lower left, latter signed lower right, both signed and titled en verso, 20 in. x 13 1/4 in. and 13 1/4 in. x 20 in., unframed. (2 pcs.) $500/700

662. American Glazed Ceramic Architectural Cookie Jar by Stanley Tigerman (b. 1930) and Margaret McCurry (b. 1943), 1987, for Swid Powell, h. 9 3/4 in., w. 6 1/4 in., d. 6 1/4 in. $200/300

663. Antique Articulated, Polychrome-Decorated and Carved Wood Artist Model/Mannequin, 19th c., glass eyes, pegged construction, modern metal stand, h. 19 in. $300/500

664. Giant Clam Shell, Tridacna Giga, probably South Pacific, three vertical folds, l. 21 1/4 in. $700/900

665. Giant Clam Shell, Tridacna Giga, probably South Pacific, four vertical folds, l. 21 1/4 in. $500/700

666. Pair of German Cast Iron Campagna Garden Urns, early 20th c., stamped "ESCHBACH", egg and dart rims, now in red paint, h. 22 1/2 in., w. 19 in. $600/900

667. Two Decorative Roman-Style Bronze Circular Shields, 20th c., each differently cast with figures in battle, largest dia. 23 in. $200/400
Provenance: Lee B. Anderson Collection.

668. Antique French Gas Lantern, 19th c., with palmette corona, now converted to electricity, h. 38 in., w. 19 in., d. 43 in. Note: Lacking glass. $600/900
Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

669. Antique French Tôle and Wrought Iron Eight-Light Chandelier, 19th c., scrolled canopy and arms, crenellated bobêches, hung with coats of arms, electrified, h. 44 in., dia. 34 in. $1000/1500
Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

670. [Leather Bindings], Hanotaux, Gabriel, Histoire de la Nation Francaise, Paris, Librarie Plon, 1920-1929, 15 volumes, octavo, gilt-tooled leather spines, marbled boards, numerous illustrations, in French. $250/350

671. Louis Philippe Carved Cherrywood Writing Table, 19th c., inset tooled leather drop-leaf top, two frieze drawers, turned legs, h. 29 1/4 in., w. (closed) 43 1/2 in., w. (open) 61 3/4 in., d. 23 3/4 in. $500/800
Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

672. Antique Dutch Marquetry Sleigh Bed, 19th c., h. 43 in., l. 76 1/2 in., w. 53 1/2 in. $700/900

673. Antique Dutch Marquetry Mirror-Back Dressing Chest, 19th c., arched mirror, scroll supports with candle sconces, superstructure of drawers over four long drawers, molded base, shaped feet h. (overall) 81 in., w. 46 in., d. 21 in. $400/600

674. Monumental Style-Style Hardwood Armoire, 20th c., molded arched cornice, conforming cartouche-paneled doors, fiche hinges, divided interior, base with two drawers, scrolled feet, h. 107 in., w. 71 1/2 in., d. 26 in. $500/1000

675. Hasmig Vartanian (Israeli/Louisiana, b. 1946), "Painting for Lunette with Moveable Parts I", mixed media on paper, signed lower right, 38 in. x 48 1/4 in., framed. $300/500

676. James Michalopoulos (American/New Orleans, b. 1951), "Honk Tapita", 1996, oil on canvas, signed lower left, signed and dated en verso, titled on stretcher, 28 in. x 22 in., framed. $2500/3500

677. Dick Jemison (American/Alabama, b. 1942), "Cave Painting #4", 1981, mixed media on canvas, signed, titled, dated and inscribed en verso, 62 3/4 in. x 61 1/2 in., unframed. $1200/1800
Provenance: The Sideshow Gallery, Birmingham, AL, 1982.
Note: Dick Jemison first decided to be an artist after visiting MOMA while on vacation in the 1950s and seeing the work of Abstract Expressionists. Greatly influenced by the painters Sam Francis and Ida Kohlmeyer, Jemison studied art in school, but it was travel that made a greater impact on his artistic works. He traveled to Europe, Africa, Cuba, India, and Australia, and while living in Santa Fe, Jemison began collecting African Tribal Art. In the current painting, the desert-like palette of sandy tans with hues of orange and turquoise call to mind both Santa Fe and African landscapes. The gestural lines and shapes speak to Jemison’s background in action painting, particularly the influence of artists such as Kohlmeyer, Mark Rothko, and Hans Hofmann, while also referencing Tribal Art in the mask-like composition of the painting.

678. Charles Schorre (American/Texas, 1925-1996), "Second Chance Cloudance [sic]", 1991, oil on canvas, signed lower right, dated lower left, 48 in. x 72 in., unframed. $3000/5000
Provenance: Meredith Long Gallery, Houston, TX, 1991.
Note: Charles Schorre has worked as a photographer, graphic designer, and art teacher, and he often integrates his many artistic interests into his paintings. Drawing on his design background to exploit the elements of collage and create depth in his compositions, Schorre also utilizes vivid colors to capture a sense of energy through what he refers to as a simple "interest in mark making.” His paintings, such as the work offered here, are deeply rooted in nature and have been described as "a celebration of the natural world through wild expressionistic color.”
Ref.: Brown, Peter. "Review of Charles Schorre.” Herring Press. Accessed Aug. 13, 2018.

679. Paul Tarver (American/New Orleans, 20th c.), "Terrace Ward", oil on canvas, unsigned, 60 in. x 48 in., framed. $800/1200
Provenance: Marguerite Oestreicher Fine Arts, New Orleans, LA, 1996.

680. John Mitchell (American/Savannah, 20th c.), "Dancers", 1996, oil on canvas, signed and dated lower right, 32 in. x 42 in., framed. $700/1000

681. Everett Raymond Kinstler (American/New York, b. 1926), "Seated Figure, Maine", oil on canvas board, signed lower right, signed, initialed and "Hollis Taggart Gallery" label with artist and title en verso, 20 in. x 16 in., framed. $1200/1800
Note: Everett Raymond Kinstler started his artistic life in New York at the age of sixteen, working as a comic illustrator for publications such as Zorro, The Shadow, DC Comics and Marvel Comics. In 1945, Kinstler joined the Arts Students League where he recalls learning "not to copy but to capture spirit and essence” of his subjects. This approach clearly can be seen in the portrait offered here, where the sitter is posed en plein air. Kinstler captures the feeling of a gentleman on a leisurely day by employing expressionistic brushwork and a light, airy palette. Working in the art world for over 76 years, Kinstler was counted by Roy Lichtenstein as an influence ("He was Pop before Pop.”) and has inspired countless other artists. He has depicted many famous Hollywood stars, as well as seven American presidents.
Ref.: Hafesh, Louis B. "Everett Raymond Kinstler: Reminiscing at His National Arts Club Studio”. Artists Network. Accessed Aug. 13, 2018. Nadler, Jordan. "Primary Colors”. The Daily Beast. Nov. 13, 2016. Accessed Aug. 13, 2018.

682. Lucy Maki (American/New Mexico, b. 1955), "Study for Specter", 1992, mixed media on paper, pencil-signed and dated lower right, titled lower left, 22 in. x 15 in., framed. $300/500
Provenance: Texas Hill Country Ranch; Linda Durham Gallery, Santa Fe, NM.

683. Lucy Maki (American/New Mexico, b. 1955), "Mask", 1992, mixed media on paper, pencil-signed and dated lower right, titled lower left, 22 in. x 15 in., framed. $300/500
Provenance: Texas Hill Country Ranch; Linda Durham Gallery, Santa Fe, NM.

684. Lucy Maki (American/New Mexico, b. 1955), "Study for Ritual Object", 1992, mixed media on paper, pencil signed and dated lower right, titled lower left, 22 in. x 15 in., framed. $300/500
Provenance: Texas Hill Country Ranch; Linda Durham Gallery, Santa Fe, NM.

685. American School, 20th c., "Untitled", 1986, mixed media on cut paper, signed "Stella" and dated lower center, 63 1/2 in. x 44 1/2 in., framed. $800/1200

686. Andrew Murray (South African, 1917-1998), "Lion and Lamb", oil on canvas, signed lower right, 23 in. x 29 in., framed. $600/900
Note: Andrew Murray worked as a journalist in South Africa until a friend, the artist Frank Hiley, gave him a gift of paints and brushes on his fortieth birthday. This gift reawakened Murray's childhood love of painting, and he began devoting most of his time to art-making and exhibiting in Cape Town. Moving to England in 1969, to escape the heated atmosphere of Apartheid, Murray was a practitioner of Jungian psychology and utilized free imaginative association in his search for meditative art. Never being formally trained in art he was given the moniker of Naïve Artist, which the artist hated. "It conjures up the image of country bumpkin,” he said; Murray’s preferred term was a Modern Primitive Artist.
"Lion and Lamb,” offered here, combines two of his most often used subjects: jungles and Biblical imagery. This painting was from the "Images of Reconciliation” series of paintings he began for his first gallery, The Portal Gallery, show in London in 1971. The show was such a success he was commissioned to continue the series for a second show at the Coventry Cathedral. "Lion and Lamb” was a center piece of the second show and was chosen by UNICEF to be made into a greeting card for 1973 that was sold to raise money for relief, health and educational work for children in need throughout the world. The UNICEF card allowed the theme of the humane that runs all through Murray’s work to move from an artistic concept to a world reality.
Ref.: Murray, Robert. "Culture Obituary: Andrew Murray”. The Independent. Oct. 16, 2018. Accessed Aug. 14, 2018.

687. Set of Five Antique Giltwood Cornices, 19th c., burnished and matte gilt surface, 4 complete, 1 missing side return, 1 extra side return. (6 pcs.) $400/600
Provenance: John Rau Residence, New Orleans.

688. Four Continental Gilt Metal Cornucopia-Form Drapery Tiebacks, 19th c., h. 7 1/2 in., w. 4 in., d. 6 in.; together with four American gilt metal rosette tiebacks, dia. 1 7/8 in., d. 2 3/8 in. (8 pcs.) $150/250

689. Large Enameled Metal Clock Dial, 20th c., iron hands, non-functional, dia. 35 in. $300/500
Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

690. Antique Silk Embroidery Panel "Moses in the Bullrushes", 19th c., sight 14 1/4 in. x 18 1/2 in., framed with églomisé mat. $400/600

691. English G.T. Rackstraw Walnut Book Press, 19th c., screw press, retains partial original paper label "~.T. Rackstraw Ltd./ St. Martins Works/ Castle Street Worcester ", h. 37 in., w. 38 in., d. 17 1/2 in. $400/600

692. Napoleon III Gilt Bronze Four-Light Candelabrum, late 19th c., torch form standard, flame finial, now electrified, h. 23 in., dia. 11 1/2 in. $400/600

693. Emile Lassalle (French, 1813-1871), "Études Choisies - No. 89: Le Général Bonaparte d'après Paul Delaroche", c.1850, hand-colored lithograph, signed in plate lower left, printed by Lemercier, Paris, sight 24 in. x 18 1/4 in., framed. $500/700

694. William Henry Simmons (British, 1811-1882), "Bonaparte at Waterloo", c. 1865, lithograph, after Charles von Steuben (German, 1769-1821), published by W. Tegg, London, sight 20 1/2 in. x 24 1/2 in., framed. $500/700

695. Five Antique Engravings of Napoleon, hand-colored lithographs, sights 7 3/4 in. x 5 3/4 in. to 10 1/2 in. x 14 3/4 in., all framed. $500/700

696. After Carle Vernet (French, 1758-1836), "Passage du Pô, Devant Plaisance", "Bataille de Montebello et Casteggio" and "Révolte du Pavie", 3 lithographs, sheets 15 1/4 in. x 21 1/2 in., framed alike. (3 pcs.) $500/700

697. After Pierre Degobert (Belgian, 1806-1844), "Napoleon", 4 engravings, sheets 9 3/4 in. x 5 1/2 in., framed alike. (4 pcs.) $300/500

698. Edward John Roberts (British, 1797-1865), "Napoleon On Board the Bellerophon", hand-colored engraving, after Charles Lock Eastlake (British, 1793-1865), printed by W. Day, sheet 11 1/2 in. x 9 1/2 in., framed; together with "Portraits of Napoleon and His Marshals", engraving, printed by John Tallis & Co., London and New York, sheet 9 3/4 in. x 6 1/2 in., framed. (2 pcs.) $300/500

699. Large Gilt Bronze-Mounted Sèvres-Style Polychrome and Gilt Porcelain Centerpiece, late 19th/early 20th c., decorated with floral reserves on a power blue ground, bronze foliate scroll handles, reticulated scrollwork rim, foliate feet, h. 16 1/2 in., w. 22 1/4 in. $1500/2500

700. Pair of Italian Carved and Polychromed Blackamoors, 20th c., cartouche form bases, h. 61 in., w. 25 in., d. 15 in. $1500/2500

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