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Information below is the lot/description information from our Fall Estates Auction, September 15 & 16, 2018. Descriptions listed below are NOT guaranteed accurate. Call 1-800-467-5329 for general information on Neal Auction Company. Follow the catalogue link to order our beautifully illustrated catalogue.

You are at > Lots 701-800

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701. Venetian-Style Rock Crystal and Crystal Six-Light Chandelier, 20th c., with crystal beads, star rosettes and pendeloques, h. 31 in., dia. 27 in. $1000/2000

702. Pair of Napoleon III Gilt Bronze Figural Five-Light Candelabra, 19th c., the standard a knight in armor, holding a festooned halberd, hexagonal base, h. 25 in., w. 11 1/4 in., d. 9 1/2 in. $1000/1500

703. Continental Bronze Figural Group of Venus and Cupid, h. 17 1/4 in., w. 6 1/2 in., d. 4 3/4 in. $400/600

704. Italian Neoclassical-Style Painted and Parcel Gilt Overmantel Mirror, shaped cornice, upper panel with foliate and floral swag decoration centered by an urn, fluted surround, h. 86 in., w. 50 in. $1500/2500

705. American Cast Iron Garden Fountain, 19th c., surmounted by a bust of Lady Liberty, graduated basins, vasiform standards, fluted base, h. 66 in., dia. 28 in. $1000/1500

706. American Cast Iron Garden Bench, scrolling crest, reticulated back and seat, cabriole legs, h. 35 1/2 in., w. 59 in., d. 16 in. $1000/1500
Note: The design for this bench was patented in England in 1846 by the Carron Company of Scotland. It was published in many American foundry catalogues, including J.L. Mott Iron Works of New York (1889, p. 24, pl. 28), J.W. Fiske Iron Works of New York (1868, p. 30) and Stewart Iron Works of Cincinnati (p. 95, no. 367) and also produced by numerous foundries including Chase Bros. & Co. of Boston and The Vulcan Iron Works of Illinois. Benches similar to the lot presented here are at the White House and the Metropolitan Museum of Art.
Ref.: Tracy, 19th Century American Furniture and Other Decorative Arts, pl. 119; Israel, Antique Garden Ornament: Two Centuries of American Taste, p. 170, pl. 4.6.

707. Antique Georgian-Style Mahogany Writing Table, 19th c., inset tooled leather top, each side with three drawers and pull-out slide, turned legs, casters, h. 31 1/2 in., w. 57 3/4 in., d. 35 in. $1000/2000

708. Set of Eight Queen Anne-Style Mahogany Chairs, associated, shaped crest rail, vasiform splat, cabriole legs, pad feet, h. 42 in., w. 20 in., d. 19 1/2 in. $1000/1500

709. Antique Georgian-Style Carved Mahogany Pembroke Table, drop-leaf top, chamfered legs, shaped stretcher shelf, hoof feet, casters, h. 28 in., w. (closed) 22 in., w. (open) 39 in., d. 27 in. $300/500

710. William IV Burled Walnut Sunderland Table, lyre-form standard, shaped trefoil feet, h. 27 1/2 in., w. 39 1/2 in., d. (closed) 15 in., d. (open) 37 in. $500/700

711. George III Mahogany and Needlework Pole Screen, c. 1800, surmounted by an urn final, floral motif screen, sabre legs, brass circular stretcher, h. 60 1/4 in., w. 18 1/2 in., d. 18 in. $400/600
Provenance: Estates of Shasta and Sue McCranie, Willacoochee, GA.

712. Chinese Chippendale-Style Carved Mahogany Armchair, serpentine rope-molded seat rail and arms, reticulated returns and brackets, molded legs, stretchers, h. 39 in., w. 26 1/4 in., d. 22 in. $250/500
Provenance: Bremermann Designs, 3943 Magazine St., New Orleans

713. Antique Georgian-Style Mahogany Serpentine Front Chest of Drawers, probably 19th c., with four graduated drawers, ogee bracket feet, accompanied by a later glass top, h. 36 in., w. 42 3/4 in., d. 20 in. $400/600

714. Georgian-Style Mahogany Wing Chair, leather upholstery, button tufted back, brass nail trim, h. 42 in., w. 29 1/2 in., d. 30 in. $500/1000

715. Edwardian Mahogany and Parcel Ebonized Serving Trolley, late 19th c., labeled "W. Walker, London", lotus-carved backsplash, three shelves, fluted supports with festooned swag, base fitted with blind drawers, Greek key carved feet, casters, h. 48 in., w. 54 in., d. 20 1/4 in. $800/1200



716. American Federal Inlaid Mahogany Pembroke Table, early 19th c., possibly Southern, oval drop-leaf top, tapered legs with acorn inlay, h. 29 3/4 in., w. 30 1/4 in., d. (open) 36 in., d. (closed) 18 1/2 in. $500/750

717. Southern Federal Yellow Pine Huntboard, c. 1820, Georgia or South Carolina, shaped backsplash, two deep drawers flanking a central cupboard, inlaid escutcheons, tapered legs, h. 44 1/2 in., w. 49 in., d. 18 1/2 in. $1000/1500
Provenance: Flewoochi Farms Antiques, Barnsville, GA, 1976; Estates of Shasta and Sue McCranie, Willacoochee, GA.

718. American Federal Cherrywood Chest, late 18th/early 19th c., four graduated drawers, shaped skirt, turned legs, h. 37 in., w. 40 1/2 in., d. 19 3/4 in. $500/800



719. Louisiana Federal Mahogany Armoire, early 19th c., flared cornice, paneled doors and sides, shelf interior, turned legs, h. 80 in., w. 56 1/4 in., d. 24 1/2 in. $1000/1500

720. American Classical Carved Mahogany Sewing Table, 19th c., shaped lift top, fitted interior, ogee frieze, scrolled supports, foliate standard, molded scrolled feet, casters, h. 29 in., w. 19 in., d. 16 in. $500/700



721. American Rococo Carved Rosewood Bedstead, mid-19th c., probably the workshop of Prudent Mallard, serpentine crest centered by a shell, paneled headboard, cluster column posts, turned finials, conforming foot board, h. 65 1/2 in., l. 106 in., w. 78 in. Note: Posts reduced. $4000/6000



722. American Aesthetic Carved, Ebonized and Inlaid Oak Dressing Chest, late 19th c., Herter Brothers, New York, pedimented crest, mirror plate flanked by candle shelves, rouge marble top, three graduated drawers, shaped apron, turned feet, casters, h. 93 in., w. 51 1/2 in., d. 21 1/2 in. $3000/4000
Provenance: Letter and bill of sale indicate this piece came from "The Anchorage", the Seal Harbor, Maine, summer home of Nelson A. Rockefeller.
Note: For related marquetry panels, see Howe, Katherine S., et al. Herter Brothers: Furniture and Interiors for a Gilded Age. New York: Harry N. Abrams, Inc. and The Museum of Fine Arts, Houston, 1994, p. 119.



723. American Rococo Carved and Laminated Rosewood Sofa, mid-19th c., attr. to J. & J.W. Meeks, New York, in the pattern commonly referred to as "Hawkins", elaborately carved and scrolled crest centered by a foliate medallion, reticulated crest rail decorated with clusters of grapes, padded arms, serpentine seat rail, cabriole legs, casters, h. 48 1/2 in., w. 66 in., d. 30 in. $3000/5000

724. American Rococo Carved and Laminated Rosewood Console Table, c. 1850-1860, attr. to J. & J.W. Meeks, New York, serpentine molded white marble top, floral carved reticulated apron, mirror back, floral carved legs with pierced brackets supporting shaped shelves, h. 35 in., w. 54 in., d. 21 in. $4000/6000

725. Pair of American Rococo Carved and Laminated Rosewood Side Chairs, mid-19th c., attr. to J. & J.W. Meeks, New York, in the pattern commonly referred to as "Hawkins", elaborately carved and scrolled crest centered by a foliate medallion, reticulated crest rail decorated with clusters of grapes, h. 41 1/2 in., w. 18 in., d. 19 1/2 in. $2500/3500

726. Pair of American Rococo Carved and Laminated Rosewood Side Chairs, mid-19th c., attr. to J. & J.W. Meeks, New York, in the pattern commonly referred to as "Hawkins", en suite with preceding lot, h. 42 in., w. 20 in., d. 18 in. $2500/3500

727. Pair of American Rococo Carved and Laminated Rosewood Side Chairs, mid-19th c., attr. to J. & J.W. Meeks, New York, in the pattern commonly referred to as "Hawkins", en suite with the preceding lot, h. 42 1/2 in., w. 18 1/2 in., d. 18 in. $2500/3500

728. American Renaissance Carved and Incised Burled Walnut Bedroom Suite, late 19th c., incl. half-tester bed, mirrored dresser and armoire, each with palmette crest, bed h. 123 1/2 in., l. 75 in., w. 55 1/2 in.; dresser h. 83 1/2 in., w. 46 in., d. 20 in.; armoire h. 106 in., w. 60 in., d. 22 1/2 in. $2500/3500



729. American Rococo Carved Rosewood Dressing Chest, mid-19th c., probably Ohio, conforming crest centered by a cabochon, arched mirror plate flanked by candle shelves and glove boxes, shaped marble top, three graduated drawers, conforming base, h. 92 1/2 in., w. 43 1/2 in., d. 21 3/8 in. $2000/3000



730. American Renaissance Carved and Burled Walnut Cylinder Desk, probably late 19th c., broken arch cornice centered by a bulbous finial, glazed doors, shelf interior, cylinder lid, fitted interior, pull-out writing surface, three frieze drawers, center cabinet flanked by four small drawers on each side, h. 108 in., w. 50 in., d. 22 1/2 in. $2500/5000



731. Rare American Rococo Carved Rosewood Dressing Chest, c. 1850-1860, possibly J. & J. W. Meeks, New York, foliate and floral carved crest, mirror flanked by shelves surmounted by finials over serpentine cabinets, later marble, serpentine case with three graduated drawers, plinth base, disc feet, h. 84 1/4 in., w. 48 in., d. 25 3/4 in. $1500/2500



732. American Bronze Solar Lamp, c. 1845, Philadelphia, labeled "Cornelius & Co.", patent date Apr. 1, 1843, in the Rococo Revival taste, standard and tripod base heavily detailed with scroll, foliate and shell motifs, frosted and etched mushroom shade, electrified, h. 24 in., dia. 10 in. $1200/1800



733. Fine American Rococo Patinated Bronze and Gilt Metal Six-Light Gasolier, mid-19th c., attr. to Cornelius & Co., standard with addorsed figures of "Art", "Science", and "Industry", foliate arms mounted with birds, ending in female terms holding dolphins, grotesque mask gas keys, electrified, h. 61 in., dia. 38 in. $8000/12000
Provenance: Estate of D. Clive Hardy, New Orleans.
Note: This lot is nearly identical to a gasolier in the collection of The Metropolitan Museum of Art (acc. 64.36.3), illustrated on the cover of 19th Century America: Furniture and Other Decorative Arts.\
Cornelius & Co. was founded in Philadelphia in 1827 and was one of the most successful manufacturers of fine lighting in the United States. The firm became Cornelius & Baker in 1851 when Isaac F. Baker formed a partnership with Robert Cornelius and remained among the most sought-after makers until 1869 when the partnership dissolved.
Ref.: 19th Century America: Furniture and Other Decorative Arts. The Metropolitan Museum of Art: New York, 1970, fig. 135; Fennimore, Donald L. “Cornelius & Baker: Manufacturers of Lamps, Chandeliers, Gas Fixtures, Bronze Ornaments.” incollect.com/articles/cornelius-baker-manufacturers-of-lamps-chandeliers-gas-fixtures-bronze-ornaments-c-c. Accessed August 21, 2018.



734. American Gilt Brass Solar Lamp, mid-19th c., attr. to Starr Fellows, New York, baluster form on marble base, double gourd cut glass shade with gothic arch motif, h. 20 in. $500/700
Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

735. American Gilt Bronze Solar Lamp, mid-19th c., attr. to Dietz, New York, fluted column with foliate foot, marble base, cut shade, h. 16 in. $500/700
Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.



736. Fine American Rococo Carved and Laminated Rosewood Sofa, attr. to John Henry Belter, in the pattern commonly referred to as "Rosalie", triple back rose and fruit carved crests, serpentine arms, conforming serpentine seat rail, rose carved cabriole legs, h. 37 in., w. 61 1/2 in., d. 34 in. $1500/2500

737. Pair of American Rococo Carved and Laminated Rosewood Side Chairs, New York, scrolled acanthus crest, elaborately reticulated back, round seat, serpentine apron, cabriole legs, casters, h. 41 in., w. 20 in., d. 20 in. $2000/3000

738. Pair of American Rococo Carved and Laminated Rosewood Side Chairs, c. 1840-1850, attr. to John Henry Belter, New York, in the pattern commonly referred to as "Rosalie without Grapes", fruit and floral-carved crest, scrolled crest rail, serpentine seat rail, cabriole legs, scrolled toes, casters, h. 37 1/2 in., w. 18 in., d. 18 in. $800/1200

739. American Rococo Rosewood and Grained Washstand, mid-to-late 19th c., likely New Orleans, serpentine marble backsplash and molded marble top, conforming frieze drawer, paneled doors, divided interior, foliate-carved accents, bracket feet, h. 39 in., w. 36 3/4 in., d. 17 3/4 in. $500/700



740. American Renaissance Rosewood and Grained Bedside Commode, late 19th c., labeled "George Flint", molded marble top, frieze drawer, paneled door, disc feet, h. 31 in., w. 21 1/2 in., d. 18 in. $300/500

741. American Aesthetic Walnut Extension Dining Table, late 19th c., molded top opening to receive two leaves, geometric carved frieze, pierced floral carved bracketed base, outswept scrolled feet, casters, h. 29 1/2 in., l. 93 in., w. 46 1/2 in. $3000/5000

742. Attributed to William Carroll Sanders (American/Alabama, 1817-1892), "Portrait of a Southern Mother and Her Two Daughters", oil on canvas, unsigned, 50 in. x 40 in., framed. $8000/12000
Note: A Mobile, Alabama artist who exhibited at the National Academy, William Carroll Sanders was particularly well-known for his portraits of children, which were considered both well-rendered and insightful. In the painting offered here, Sanders creates an intimate portrayal of a mother and her two daughters with a lovely backdrop of a curtained window. The mother holds a book and her older daughter carries a pink rose, symbols of their education and gentility. The older daughter’s hand rests gently on the mother’s shoulder, while the younger daughter intertwines her arms with her mother, presenting a united and loving depiction of a family group.

743. George Frederick Castleden (British/American, 1861-1945), "The Atlantic, Folly Beach, Charleston, S. Carolina", 1937, watercolor on paper, signed lower left, titled, dated, and inscribed en verso, 10 1/4 in. x 14 1/2 in., unframed. $1000/1500

744. George Frederick Castleden (British/American, 1861-1945), "The Old Spanish Cathedral, St. Augustine, FL", watercolor on paper, signed lower right, titled and inscribed en verso, 13 in. x 9 1/2 in., unframed. $1000/1500

745. Steele Burden (American/Louisiana, 1900-1995), "Louisiana Cabin", oil on canvas, initialed lower left, 16 in. x 12 in., framed. $1200/1800
Provenance: Acquired from the artist.

746. Alexander John Drysdale (American/New Orleans, 1870-1934), "Louisiana Bayou", oil wash on board, signed lower left, 14 7/8 in. x 19 7/8 in., framed. $2000/3000

747. George Rodrigue (American/Louisiana, 1944-2013), "Cajun and Oak", pastel on paper, signed lower right, 9 1/4 in. x 11 1/2 in., framed. $2000/3000

748. George Rodrigue (American/Louisiana, 1944-2013), "Untitled (Evangeline with Oak Tree)", pastel on paper, signed lower right, 11 1/2 in. x 17 1/4 in., framed. $3000/5000

749. Alexander John Drysdale (American/New Orleans, 1870-1934), "Live Oak Tree and Lily Pads in Louisiana Bayou", 1932, oil wash on board, signed and dated lower right, 20 in. x 30 in., framed. $1200/1800



750. Edith M. Sansum (American/Louisiana, 1867-1934, act. New Orleans, 1884-1901), "Acadian Cabin", oil on canvas board, signed lower right, "W.E. Seebold, Bookseller, Stationer and Fine Art Dealer, N.O." label en verso, 8 1/2 in. x 11 1/2 in., period frame. $1000/1500
Provenance: Jay P. Altmayer Collection, Mobile, AL.
Note: Edith Sansum’s family moved to New Orleans shortly after her birth. Her parents, who were originally from Barbados, had seven children and lived in the Uptown area, where Edith’s father, Oliver Baker Sansum, practiced law. From the age of sixteen, Sansum began studying art, excelling in both sketching and oil painting, for which she was awarded medals from the Black and White Club and the Artists’ Association of New Orleans. Studying with noted New Orleans artists such as Helen Maria Turner and Julia Massey, Sansum eventually became an art instructor, teaching private lessons from her parents’ home. After the year 1901, Sansum seems to have abruptly abandoned her art career, turning to clerical work. However, her lovely still life paintings and landscapes, such as the current lot depicting a cabin in rural Louisiana, attest to Sansum’s artistic talents.



751. William Aiken Walker (American/South Carolina, 1838-1921), "Trapper in a Cotton Field", oil on panel, signed lower left, 12 1/4 in. x 6 1/4 in., framed. $4000/6000
Note: To be included in John Fowler's forthcoming catalogue raisonné on William Aiken Walker.

752. Clementine Hunter (American/Louisiana, 1886-1988), "Saturday Night, Juke Joint", oil on board, monogrammed lower right, 24 in. x 24 in., unframed. $3000/5000

753. William Ousley (American/Louisiana, 1866-1953), "The West Fork of the Calcasieu River La. No. 683", 1934, oil on canvas, signed and titled lower right, signed, titled, dated and heavily inscribed en verso, 18 in. x 34 1/8 in., framed. $800/1200

754. William Ousley (American/Louisiana, 1866-1953), "The Evangeline Oak at St. Martinville La.", 1934, oil on canvas, signed and titled lower right, signed, titled, dated and heavily inscribed en verso, 16 in. x 27 1/8 in., framed. $700/1000

755. Emmitt Thames (American/Mississippi, b. 1933), "Study of Squash", 1975, watercolor on paper, signed and dated lower right, signed, titled, dated and artist stamp en verso, 11 in. x 15 in., framed. $700/1000

756. William Krondorf (German/American, 1878-1968), "Florida-Anastasia Island", 1947, watercolor on paper, signed, titled and dated lower left, 14 1/4 in. x 19 in., framed. $600/800



757. John Lapsley (American/Alabama, 1915-2005), "The Log Cutters", 1952, oil on canvas, signed and dated lower left, signed, titled and dated on stretcher, 12 in. x 16 in., unframed. $1500/2500

758. Don Wright (American/Louisiana, 1938-2007), "Landscape", 1989, oil on canvas, signed and dated lower left, 13 1/2 in. x 18 in., framed. $700/1000
Provenance: From noted antiquarian Cary Long (Goudeau Antiques), Baton Rouge.

759. William Woodward (American/New Orleans, 1859-1939), "Cloud's Rest and Half Dome, Yosemite, Calif." 1925, oil on canvas, signed and dated lower left, signed and titled en verso, 14 in. x 9 3/4 in., framed. $1200/1800
Provenance: Descended in the family of the artist.

760. William Woodward (American/New Orleans, 1859-1939), "Dirt Road, possibly North Carolina", oil on canvas, initialed lower left, inscribed en verso, 7 in. x 5 in., framed. $800/1200
Provenance: Descended in the Family of the Artist.

761. James McConnell "Mac" Anderson (American/Mississippi, 1907-1998), "Coots in the Marsh", 1985, oil on board, signed and dated lower right, 24 in. x 16 in., framed. $2000/3000

762. Rolland Harve Golden (American/Louisiana, b. 1931), "Picnic Table", 1967, watercolor on paper, signed and dated lower right, 21 1/2 in. x 29 1/2 in., framed. $700/1000

763. William Ousley (American/Louisiana, 1866-1953), "Texas Blue Bonnets, Westlake, LA", 1938, oil on canvas board, signed lower right, signed, titled, dated and inscribed en verso, 12 in. x 20 in., framed. $500/700

764. Antoine Verret (American/Louisiana, 1901-1955), "Around the Bend-Bayou Black", 1953, oil on canvas, signed lower right, signed, titled, dated and inscribed en verso, 28 in. x 30 in., framed. $500/800

765. Janice Sachse (American/Louisiana, 1908-1998), "Floral Still Life", oil on canvas, signed lower left, 24 1/4 in. x 20 in., framed. $500/700
Provenance: Betsy Toups Estate sale. Note: Janice Sachse was born in Baton Rouge, Louisiana, the daughter of Isaac H. Rubenstein, a businessman instrumental in securing the land for the current Louisiana State University campus. Sachse studied art at LSU under Conrad Albrizio and at Newcomb College of Art in New Orleans. She is primarily known for her oil paintings of Louisiana landscapes including, perhaps her best-known works, the “Interstate Series.” Sachse traveled along the newly built interstate in the 1970’s painting the scenery in areas of the state that were difficult to reach before the roadway made them more accessible. In the work offered here, Sachse presents a more traditional scene of a bright blue vase filled with a brilliantly colored bouquet of flowers. She layers paint and pieces of canvas to create a collage effect, giving the still life a sense of depth and movement.
Ref.: Adorno, Glauco. “Janice Sachse: Regionalism and Artistic Innovation.” Janice Sachse: A Retrospective. Baton Rouge: LSU College of Art and Design, 2016, pp. 4-8.

766. Joseph Poche (American/Louisiana, b. 1944), "Still Life with Shells", oil on board, signed lower right, 12 1/4 in. x 10 in., framed. $400/600



767. Noel Rockmore (American/New Orleans, 1928-1995), "Signe Gemeni", 1969, oil on canvas, signed and dated lower center, titled lower left, 40 in. x 30 in., unframed. $1000/1500
Provenance: Collection of E. Larry Borenstein, New Orleans; Neal Auction Company, Dec. 7, 2002, lot 498.



768. Noel Rockmore (American/New Orleans, 1928-1995), "Lady in White (Portrait of Earlee Dedeau)", 1965, oil on canvas, signed and inscribed "July 1965 New Orleans" upper right, "8th Delta 1965" exhibition label with title en verso, 44 in. x 32 in., framed. $1000/1500

Provenance: Collection of E. Larry Borenstein, New Orleans; Neal Auction Company, Dec. 9, 2000, lot 1143.


768A. Noel Rockmore (American/New Orleans, 1928-1995), "The Factory", oil on board, signed lower right, 12 in. x 20 in., framed. $800/1200
Provenance: Neal Auction, June 8, 2002, lot 372.

769. Noel Rockmore (American/New Orleans, 1928‑1995), "Playground in Mexico", 1963, oil on board, signed, dated and inscribed "Mex." lower left, 16 in. x 25 in., framed. $800/1200

770. Noel Rockmore (American/New Orleans, 1928‑1995), "Bourbon Street", 1987, pastel on paper, signed and dated lower center, 12 1/2 in. x 28 1/2 in., framed. $400/600

771. Ann Hornback (American/Louisiana, b. 1945), "Dreamboat", 1986, watercolor on paper, signed lower right, "Gallerie Simmone Stern, New Orleans" label with artist, title and date en verso, 28 in. x 40 in., framed. $300/500



772. Knute Heldner (Swedish/New Orleans, 1877‑1952), "Pulling in the Net", oil on canvas, signed lower left, 24 in. x 20 in., framed. $1000/1500

773. Frank Hamilton (American/New Orleans, 20th c.), "St. Louis Cathedral, Vieux Carré, New Orleans", 1951, watercolor on paper, signed, titled and dated lower left, 22 in. x 16 in., framed. $500/800

774. Knute Heldner (Swedish/New Orleans, 1877‑1952), "The Harbor, Paris", oil on canvas, signed lower left, titled on stretcher, 21 in. x 25 in., framed. $800/1200
Provenance: Neal Auction, June 25, 2011, lot 711.

775. Steele Burden (American/Baton Rouge, 1900‑1995), "Pelican Plaque", crackle‑glazed ceramic, dia. 8 in. $400/600

776. Colette Pope Heldner (American/New Orleans, 1902‑1990), "Swamp Idyll (Louisiana Bayou Country)", oil on canvas, signed lower left, signed and titled en verso, 36 in. x 20 in., framed. $1000/1500

777. Robert M. Rucker (American/Louisiana, 1923‑2001), "Cypress Tree" and "Swamp Scene with Cabin", 2 watercolors on illustration board, both signed lower right, 15 3/4 in. x 11 3/4 in. and 14 3/4 in. x 11 in., framed. $600/800

778. Edward Von Siebold Dingle (American/South Carolina, 1893‑1975), "Hummingbird on Trumpet Vine", watercolor on paperboard, signed lower right, sight 17 in. x 13 in., framed. $500/700

779. Alexander John Drysdale (American/New Orleans, 1870‑1934), "Louisiana Bayou", 1909, oil wash on board, signed and dated lower right, 8 in. x 11 in., framed; together with Buechner, Howard A. Drysdale (1870‑1934): Artist of Myth and Legend. Metairie, LA: Thunderbird Press, 1985. $500/700

780. Colette Pope Heldner (American/New Orleans, 1902‑1990), "Swamp Idyll (Louisiana Bayou Country)", oil on canvas, signed lower left, signed and titled en verso, 20 in. x 30 in., framed. $500/800

781. Colette Pope Heldner (American/New Orleans, 1902‑1990), "Swamp Idyll", oil on canvas board, signed lower left, 16 in. x 20 in., framed. $600/800

782. John Korver (American/Louisiana, 1910‑1988), "Shrimp Boats", watercolor on paper, signed lower right, sheet 13 in. x 19 1/4 in., framed. $200/300



783. Alvin Batiste (American/Louisiana, b. 1962), "Baseball" and "Baseball Game", 2003, 2 oils on canvas, both signed and dated lower right, each signed, dated and inscribed on stretcher, 16 in. x 20 in. and 20 in. x 16 in., framed. (2 pcs.) $400/600

784. New Orleans School, 20th c., "House Facade", oil on canvas, signed "Babin" lower right, 36 in. x 24 in., framed. $400/600

785. Albert Jean Camille (American/Louisiana, 1904‑1981), "Boy in the Countryside", oil on canvas, signed lower left, 18 in. x 24 in., framed. $200/300

786. Colette Pope Heldner (American/New Orleans, 1902‑1990), "Swamp Idyl (Louisiana Bayou Country)", oil on canvas board, signed lower left, signed and titled en verso, 20 in. x 16 in., framed. $1000/1500

787. Alberta Kinsey (American/Louisiana, 1875‑1952), "Brulatour Courtyard", oil on artist board, signed lower right, 11 7/8 in. x 9 in., framed. $800/1200



788. Gideon T. Stanton (American/New Orleans, 1885‑1964), "Floating Prairie of Louisiana", oil on canvas, unsigned, "New Orleans Art League" label with artist and title en verso, 22 1/4 in. x 29 in., framed. $500/800

789. Arnold E. Turtle (British/New Orleans, 1892‑1954), "Impressionist Sunrise", oil on canvas, signed lower right, 9 1/4 in. x 12 in., framed. $400/600

790. Adolph Kronengold (American/New Orleans, 1900‑1986), "Pirate's Alley, French Quarter", watercolor on paper, signed lower right, sight 14 1/4 in. x 10 3/4 in., framed. $300/500

791. Louis Oscar Griffith (American/Indiana, 1875‑1956), "Shadows (Southern Shanty)", watercolor on paper, signed lower right, sheet 13 3/4 in. x 20 in., framed. $300/500

792. Arnold E. Turtle (British/New Orleans, 1892‑1954), "Reclining Woman", oil on canvas, signed lower right, 24 in. x 30 in., unframed. $1000/1500
Provenance: Descended in the family of the artist.

793. Robert Malcolm Rucker (American/Louisiana, 1932‑2001), "The Wagon Path", oil on canvas, signed lower right, 18 in. x 24 in., framed. $1000/1500

794. Octavia Gayden Tullis (American/Louisiana, 1881‑1970), "Magnolia Blossoms", watercolor on paper, signed lower right, sight 19 1/2 in. x 14 in., framed. $200/400



795. Marshall D. Smith (American, 1874‑1973), "The Garden Court, New Orleans", 1940, oil on board, signed lower right, signed and titled en verso, 17 in. x 14 in., framed with artist plaque. $400/600

796. Vernon Reinike (American/Mississippi, b. 1942), "Beach Umbrella", 2007, acrylic on canvas, signed lower right, signed, titled and dated en verso, 12 in. x 15 1/2 in., framed. $300/500

797. Morris Henry Hobbs (American/New Orleans, 1892‑1967), "Blue Hummingbird on a Branch", watercolor on paper, signed lower right, 17 in. x 12 in., framed. $500/800

798. Peter Walls (American/New York, b. 1970), "Minaret", 2001, acrylic and ink on panel, signed and dated lower right, pencil‑signed, titled and dated en verso, 16 in. x 14 1/8 in., framed. $200/300

799. Caroline Wogan Durieux (American/Louisiana, 1896‑1989), "Young Sarai" and "Judith", 2 color lithographs on paper, both pencil‑signed, both titled and numbered "19/20" lower margin, (Judith) sight 19 in. x 15 1/2 in., framed; (Young Sarai) 30 in. x 22 1/2 in., unframed. $300/500

800. Caroline Wogan Durieux (American/Louisiana, 1896‑1989), "Landscape", cliché‑verre on Agfa Portiga Rapid paper, pencil‑signed, titled, dated and numbered "2/8" lower margin, sheet 15 1/4 in. x 18 1/4 in., framed. $500/700


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