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Information below is the lot/description information from our Winter Estates Auction, January 27th & 28th, 2018. Descriptions listed below are NOT guaranteed accurate. Call 1-800-467-5329 for general information on Neal Auction Company. Follow the catalogue link to order our beautifully illustrated catalogue.

You are at > Lots 901-1000

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901. Continental Carved Rosewood Table, 20th c., two frieze drawers, shaped trestle base, turned stretchers, h. 30 in., w. 41 1/2 in., d. 27 in. $800/1200

902. British School, late 18th c., "London Tavern Scene", oil on canvas, unsigned, 25 in. x 30 in., framed. $800/1200

903. American Classical Giltwood Overmantel Mirror, c. 1820, split baluster surround, rosette corner blocks, divided mirror plate, h. 27 1/2 in., w. 62 in. $400/600

904. American Classical Mahogany Dressing Mirror, early 19th c., Baltimore, turned supports and finials, molded mirror frame, arched trestle legs, disc feet, h. 35 1/2 in., w. 36 in., d. 14 1/2 in. $300/500

905. Pair of Anchor Brass and Copper Ship's Lanterns, 20th c., fitted with oil lamps and fresnel glass, h. 18 in., dia. 9 3/4 in. $200/300

906. American Patinated Metal Figural Solar Lamp, c. 1850, attr. to Cornelius and Baker, three addorsed female figures, marble base, floral cut shade, h. 22 in. $600/900
Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. p;

907. American Gilt Brass Solar Lamp, c. 1850, by F. Blake, Boston, on flared foot, globe shade, signed, h. 14 in. $400/600
Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.



908. American Classical Gilt and Patinated Bronze Single-Light Argand Lamp, c. 1835, labeled "John B. Jones, Boston", frosted etched glass shade, h. 12 in., w. 10 in., d. 5 in. $200/300
Provenance: Didier, Inc., New Orleans, November 24, 1997.

909. American School, 20th c., "Dock Scene", oil on board, signed "H.B. Fuller" lower left, titled en verso, 9 1/2 in. x 12 3/4 in., framed. $1000/1500

910. Italian School, late 19th/early 20th c., possibly by Giovanni Montelatici (Italian, 1864-1930), "The Crucifixion", copper etching plate and corresponding etching on paper, unsigned, inscribed lower margin "Ritratto dell Portentosa Immagine de Gesu Cristo, Che si venera nell Chiesa di St. M. Novella di Mearti (Portrait of the Majestic Image of Jesus Christ), who is venerated in the Church St. N. Novella of Mearti", 13 3/4 in. x 9 in., unframed. (2 pcs.) $400/600

911. Roger Holt (American/Connecticut, 1905-1979), "Snowy Street Scene", oil on canvas board, signed lower right, 12 in. x 16 in., framed. $500/700

912. Ann Tanksley (American/New York, b. 1934), "Down to the Sea with Ships", oil on board, signed lower right, artist stamp and title on backing paper, 9 in. x 11 3/4 in., framed. $800/1200

913. Kenneth Adams (American/New Mexico, 1897-1966), "Untitled: Abstracted Torso (Standing Nude)", charcoal drawing on paper, unsigned, signed and notarized certificate from artist's widow en verso, sight 12 1/2 in. x 7 3/4 in., framed. $700/900



914. Warik Wheatley (American, 1928-1996), "Sun on Garden Lots", 1967, oil on canvas, signed and dated lower center, pencil-signed, dated and titled en verso, 30 in. x 40 in. $400/600
Provenance: Sold Neal Auction, Sept. 11, 2010, lot 704.



915. G.J. Taylor (American/Pennsylvania, mid-20th c.), "Life in Grafton", 1941, oil on canvas, signed and dated lower right, pencil-titled, "The Art Club of Erie" exhibition label with title and illegible handwritten label en verso, 43 in. x 25 in., period frame. $400/600

916. Sara Stites (American, b. 1950), "Untitled #5", 1984, mixed media on paper, artist, title and date on label en verso, sight 28 in. x 91 in., framed. $2000/3000
Provenance: Collection of Judy and the late Morris (1939-2017) Massey, New Orleans.



917. Robert Watson (American/California, 1923-2004), "Evening", 1986, oil on canvas, signed and dated lower right, "Lahaina Galleries, Maui, Hawaii" label en verso, 36 in. x 24 in., framed. $800/1200
Provenance: Collection of Judy and the late Morris (1939-2017) Massey, New Orleans.

918. American School, 19th c., "Bull", pastel on paper laid on board, unsigned, sight 18 5/8 in. x 24 3/4 in., framed. $500/750

919. American School, early 20th., "Hay Harvest", oil on canvas laid on masonite, signed "C. Morrison" lower right, 22 in. x 35 1/2 in., framed. $400/600

920. Charles Paul Gruppe (Canadian/American, 1860-1940), "The Hague", watercolor on paper, signed and titled lower left, 9 3/4 in. x 18 1/2 in., framed. $300/500



921. Leonardo Nierman (Mexican, b. 1932), "Seascape", 1967, oil on masonite, signed and dated lower right, 23 3/4 in. x 31 1/2 in., framed. $600/900



922. L. Chadwick (American/Florida, 20th c.), "8:00 AM, Pensacola Harbor, Pensacola, Florida", 1979, acrylic on wood panel, signed and dated lower left, signed, titled and dated en verso, 13 3/4 in. x 17 3/4 in., framed. $500/700



923. Charles Woodward Hutson (American/Louisiana, 1840-1936), "Southern Landscape", pastel on paperboard, initialed lower right, 7 1/4 in. x 9 1/4 in., framed. $800/1200

924. Nestor Hippoyle Frugé (American/New Orleans, 1916-2012), "Cabin on the Bayou", 1952, watercolor on paper, signed and dated lower right, sight 18 3/4 in. x 24 in., framed. $400/600



925. Will Ousley (American/Louisiana, 1866-1953), "Sunset on Barnes Creek, Louisiana", 1934, oil on canvas, signed lower right, signed, titled, dated and inscribed en verso, 23 in. x 14 1/2 in., period frame. $1000/1500



926. Colette Pope Heldner (American/New Orleans, 1902-1990), "Swamp Idyll (Louisiana Bayou Country)", oil on canvas board, signed lower left, signed and titled en verso, 16 in. x 20 in., period frame. $1000/1500

927. Don Wright (American/Louisiana, 1938-2007), "Burning the Fields", 2003, oil on canvas, inscribed "after J. Dillon 71" lower left, 18 in. x 24 in., framed. $700/1000

928. Don Wright (American/Louisiana, 1938-2007), "Bayou Scene", 2005, oil on canvas, signed and dated lower left, 24 in. x 30 in., framed. $800/1200

929. Charles Whitfield Richards (American/New Orleans, 1906-1992), "Cabin in the Woods", oil on canvas affixed to masonite, signed lower left, "Dr. James W. Nelson, Gonzales, LA" label en verso, 8 1/2 in. x 10 3/4 in., framed. $600/800



930. Charles Whitfield Richards (American/New Orleans, 1906-1992), "Self-Portrait", oil on canvas affixed to board, signed lower right, signed, titled and "Dr. James W. Nelson, Gonzales, LA" label en verso, 13 in. x 10 3/4 in., framed. $1000/1500



931. Colette Pope Heldner (American/New Orleans, 1902-1990), "Swamp Idyll (Louisiana Bayou Country)", oil on canvas, signed lower left, signed and titled en verso, 40 in. x 34 in., framed. $1200/1800

932. Jerry Ruthven (American/Texas, b. 1947), "Bluebonnets", 1982, oil on canvas, signed and dated lower right, 12 in. x 16 in., framed. $500/700
Provenance: Collection of Nan Wier, New Orleans, LA.

933. Nura Woodson Ulreich (American/Missouri, 1899-1950), "Beth, Bob and Rover", watercolor on illustration board, signed lower right, signed, titled and inscribed "Vanity Fair 2358c" en verso, 17 1/4 in. x 15 in., framed. $500/800

934. Louise A. Cook Moore (American/New Orleans, 1854-1941), "A Bouquet of Roses", oil on canvas, signed "E. Cook Moore" lower right, typewritten artist biography en verso, 20 in. x 14 in., framed. $500/800

935. Mary Katharine Loyacano McCravey (American/Mississippi, 1910-2009), "Still Life of Flowers in a Vase", oil and mixed media on board, signed lower right, 12 5/8 in. x 11 in., framed. $500/800

936. William "Bill" Kidwell (American/Tennessee, 1934-2015, act. New Orleans, 1960s), "Waiting in front of Peter's", watercolor on paper, unsigned, 22 1/4 in. x 15 in., framed. $400/600
Provenance: Collection of Michael Brown and Linda Green, New Orleans.
Note: A native of Knoxville, Tennessee, Bill Kidwell enjoyed a nomadic life during the 1960s and 70s, traveling through and living periodically in parts of Canada, New Orleans, Miami, Los Angeles, Berkeley, Taos, and Mexico, among other locales. Although his degrees from the University of Tennessee were in painting and art history, Kidwell additionally worked as an illustrator, photographer, and a self-taught designer and builder of homes in the Nashville area. Throughout his various travels, he kept records – drawings, watercolors, photographs, and film – of his environs, appreciating the landscapes and architecture surrounding him and wanting to record the specific time and place for posterity.



937. José Torres-Tama (Ecuadorian/New Orleans, b. 1961), "Louis Armstrong: In Memory of Satchmo", 2004, pastel on paper, signed lower left, signed, titled, dated and inscribed en verso of backing board, 28 in. x 20 in., framed. $400/600
Provenance: Collection of Michael Brown and Linda Green, New Orleans.



938. Robert Helmer (American/New Orleans, 1922-1990), "Sailboat", oil and mixed media on board, signed lower right, 28 in. x 28 in., period frame. $300/500
Provenance: Collection of Michael Brown and Linda Green, New Orleans.



939. Colette Pope Heldner (American/New Orleans, 1902-1990), "French Courtyard with Chickens", 1932, oil on board, signed, dated and inscribed "France" lower right, 19 1/2 in. x 24 in., period frame. $700/1000

940. Selina Elizabeth Bres-Gregory (American/New Orleans, 1870-1953), "Dutch Man Carrying a Basket and Jug with a Shoulder Pole", 1895, watercolor on paper, signed and dated lower right, 15 in. x 10 1/2 in., framed. $300/500

941. James Carl Hancock (American/New Orleans, 1890-1966), "Court of Two Sisters", pen and ink on paper, pencil-signed and titled lower margin, 13 in. x 9 1/2 in.; together with "Pirate's Alley, New Orleans", etching on paper, pencil-signed and titled lower margin, 7 in. x 5 1/2 in., both unframed. (2 pcs.) $200/300



942. George Drummond Mansfield (American/Louisiana, 20th c.), "Patio & Slave Quarter at 631 Rue Chartres, New Orleans", 1961, oil on masonite, signed and dated lower right, signed, titled and inscribed en verso, 24 in. x 10 in., period frame. $150/250



943. Peter Dean (German/American, 1934-1993, act. New Orleans, 1970-1991), "No Evil", 1975, oil and mixed media on canvas, signed lower left, signed, titled, dated and inscribed "N.Y.C." en verso, 36 in. x 30 in., period frame. $600/800
Provenance: Collection of Michael Brown and Linda Green, New Orleans.
Note: Peter Dean’s hedonist style with its vivacious colors and bold brushstrokes fit well in the city of New Orleans, where he had several exhibitions in the 1970s and 1980s at the Bienville Gallery under the direction of Ed Weigand. His works are rich with symbolism and often convey a sense of darkness, even within a humorous and energetic application. These features are on full display in the canvas offered here, where Dean explores the “see no evil, hear no evil, speak no evil” theme using his characteristic bright palette.

944. Peter Dean (German/American, 1934-1993, act. New Orleans, 1970-1991), "Self-Portrait", 1977, watercolor and graphite on paper, signed and dated lower left, signed, dated and inscribed mid-right, 12 1/2 in. x 9 1/2 in., framed. $400/600
Provenance: Collection of Michael Brown and Linda Green, New Orleans.



945. Peter Dean (German/American, 1934-1993, act. New Orleans, 1970-1991), "Catskill Eve", 1978, acrylic on paper, signed lower right, signed, titled, dated, inscribed and "The Times Picayune, The World of Art" 1979 article on the artist en verso of backing board, 19 in. x 24 in., framed. $500/700
Provenance: Collection of Michael Brown and Linda Green, New Orleans.

946. Jim Bird (British/American, 1937-2010), "Imagination is Funny", 1990, acrylic on canvas, signed, titled, and dated "90/May" en verso, 36 in. x 32 in., period frame. $500/700
Provenance: Galerie Simonne Stern, New Orleans, 1993; Koch Collection, Metairie, LA.



947. Sharon Richardson (American/Mississippi, 20th c.), "Abandoned", "November at Richland" and "Familiar Sight", 3 pastels on paper, each signed lower right or left, each "Carol Robinson Gallery, New Orleans" stickers and labels with artist and titles en verso, sights 3 in. x 4 3/4 in. to 3 3/4 in. x 5 in., framed. (3 pcs.) $400/600
Provenance: Carol Robinson Gallery, New Orleans, 1993; Koch Collection, Metairie, LA.



948. Charles Woodward Hutson (American/South Carolina, 1840-1936), "High Ground Overlooking the Bay", pastel on board, initialed "C.H." lower right, label with artist, title and
Provenance en verso, 5 3/4 in. x 9 in., framed. $400/500



949. William "Bill" Kidwell (American/Tennessee, 1934-2015, act. New Orleans, 1960s), "Hanging Out in front of Wallace's Upholstering", 1969, watercolor on paper, signed and dated lower right, "Rechenbach's Art Shop and Gallery, Knoxville, TN" label en verso, 23 in. x 30 1/4 in., framed. $400/600
Provenance: Collection of Michael Brown and Linda Green, New Orleans.



950. Jason DuMouchel (American/New Orleans, b. 1970), "Portrait of Blake", 2001, signed and dated lower right, signed, titled and dated en verso, 24 in. x 24 in., framed. $300/500
Provenance: Collection of Michael Brown and Linda Green, New Orleans.
Note: Born in Florida, Jason DuMouchel moved to New Orleans in 1998 after studying visual art in New York. Working as both a studio artist and art teacher at Holy Cross School, he has been represented in the city by the Jonathan Ferrara Gallery and DuMois Gallery. DuMouchel’s expressive style captures the subjects of his portraits through concise brushstrokes, texture and color, perfectly illustrated in the work offered here.



951. Jason DuMouchel (American/New Orleans, b. 1970), "You didn't hear this from me, but...", 2001, oil on canvas, signed, titled and dated en verso, 22 in. x. 22 in., framed. $300/500
Provenance: Collection of Michael Brown and Linda Green, New Orleans.

952. Mel Wiken (American/New Orleans, b. 1944), "Justice is Blind", 1978, pastel on paper, signed and dated lower left, sight 18 1/2 in. x 12 1/4 in., framed. $150/250

953. Alice Abraham Lazard (American/Louisiana, 1893-1972), "Untitled", gouache on magazine page, unsigned, "The Art Institute of Chicago" label with artist and medium en verso, sight 12 1/4 in. x 10 in., framed. $300/500



954. Martin Laborde (American/New Orleans, b. 1943), "Bodo and Boogie, The Baby, Experienced the Magic of Painted Horse", 1978, oil on canvas, signed and dated lower right, signed, titled, dated and inscribed en verso, 48 in. x 36 in., framed. $400/600



955. Alvin Batiste (American/Louisiana, b. 1962), "Beaulah Saye's Watermelon Stand, French Quarters", 2000, oil on canvas, signed and dated lower right, titled upper right, signed, titled and dated en verso, 24 in. x 18 in., framed. $300/500

956. Howard Finster (American/Alabama, 1916-2001), "Angel of the Lord", mixed media on board, 23 in. x 40 1/2 in., unframed. $600/800

957. Joanna Zjawinska (Polish/California, b. 1950), "Bella and Hugo", oil on canvas, signed lower left, 36 in. x 36 in., unframed. $600/800
Note: Polish-born artist Joanna Zjawinska is known for her elegant and expressive portrayals of confident and fashionable women, often in social settings. She approaches all of her subjects with the trained eye and empathy of a portraitist, and that can be said of the lot offered here as well. A commissioned portrait of two dogs, “Bella and Hugo” are treated with the same sensitivity as Zjawinska’s human subjects, their personalities on full display.



958. Peter G. Ray (Bulgarian/Montreal, 20th c.), "Andante", 2004, acrylic on canvas, signed lower left, signed, titled, dated, inscribed "Montreal" and 2 labels with artist and title en verso, 48 in. x 48 in., unframed. $350/500
Provenance: Collection of Michael Brown and Linda Green, New Orleans.
Note: Bulgarian-born painter Peter G. Ray has a modernist sensibility that is evident in the execution of his splendidly vivid canvases. Ray shows remarkable control of his improvisational style in how he manipulates the drips and scrapes of paint, creating works rich in energy with anthropomorphic tendencies. This is particularly evident in the canvas offered here. The colors practically vibrate against one another as they swirl and meld into a borderline synesthetic visual cacophony.

959. Leonard Hillsdale (American, 20th c.), "Portrait of a Man (abstract pencil drawing en verso)", watercolor on paper, unsigned, 36 in. x 29 1/2 in., framed. $200/300
Provenance: Collection of Michael Brown and Linda Green, New Orleans.

960. Arts and Crafts Walnut Credenza, plank top above a pair of doors flanked by drawers, h. 31 1/2 in., w. 68 in., d. 22 in. $500/700



961. Italian Art Deco Parchment and Fruitwood Bar Cabinet, c. 1930, two side compartments, mirrored and glass shelf interior, flared legs, h. 38 1/2 in., w. 45 1/2 in., d. 19 in. $1000/1500

962. Five Dutch George III-Style Carved Mahogany Dining Chairs, labeled "J. Pander, Harlem", incl. 2 arms and 3 side chairs, floral crest rail, pierced anthemion splat, reeded stiles, trapezoidal seats, cabriole legs, claw and ball feet. Note: Dry surface. $500/700



963. American Carved Cypress Cabinet, Wilkerson Row, New Orleans, stepped cornice, paneled doors, conforming lower case, plinth base, h. 89 1/2 in., w. 26 in., d. 23 in. $800/1200



964. Monumental American Carved Oak Conference Table, molded top, two drawers on opposing ends, foliate-carved frieze and bulbous turned legs, ball feet, h. 31 in., l. 144 in., w. 59 in. $700/900



965. American Belle Époque Carved "Tiger" Oak Dining Table, early 20th c., circular top with foliate-carved border, molded frieze, pedestal base, lion's mask and acanthus carved legs, disc feet, casters, h. 29 3/4 in., dia. 54 in. $1500/2500

966. American Carved Oak Extension Dining Table, 19th c., circular gadrooned edge top opening to receive three leaves, massive foliate carved standard, arched scrolled legs surmounted with fruit and nut clusters, scrolled toes, casters, h. 28 in., l. 66 in., w. 56 in., leaves, w. 21 3/4 in., each. $1000/2000

967. West Indies Bronze-Mounted Mahogany Side Table, 19th c., Trinidad, circular top, blocked frieze, turned and tapered columnar supports, lower incurvate plinth, flared legs, h. 30 1/2 in., dia. 12 1/4 in. $150/250
Provenance: The Sturm Collection. Ill.: Sturm, Philip. West Indies Antique Furniture or the Lesser Antilles, 1740-1940. Antique Collectors' Club: Suffolk, 2011, pp. 125, 177.

968. Continental Carved Giltwood Mirror, foliate and beaded surround, h. 34 in., w. 28 in. $200/300

969. West Indies Carved Mahogany Dressing Mirror, 19th c., Barbados, molded surround, old mirror plate, spiral-turned supports, shaped marble top, conforming base, cabochon feet, h. 31 1/2 in., w. 27 in., d. 9 3/4 in. $150/250
Provenance: Acquired Estate of Claudette Colbert, Bellerive, Barbados; The Sturm Collection.



970. American Classical Carved Mahogany Drop-Leaf Table, 19th c., frieze drawer and faux drawer, spiral-turned and foliate carved supports, incurvate plinth, acanthus carved paw feet, casters, h. 29 in., w. 40 in., d. (closed) 26 1/2 in., d. (open) 52 1/2 in. $700/1000

971. American Classical Carved Mahogany Center Table, 19th c., later wood top, ogee frieze, tapered standard, shaped plinth, turned feet, h. 29 1/4 in., w. 35 3/4 in., d. 35 in. $300/500

972. Pair of Rococo Revival Carved Rosewood Armchairs, mid-19th c., probably French, floral carved crest, molded stiles, serpentine arms and seat rail, cabriole legs, casters, h. 40 1/4 in., w. 25 in., d. 21 in. $500/700

973. West Indies Carved Mahogany Tilt-Top Table, 19th c., molded circular top, turned standard, shaped saber legs, brass paw feet, casters, h. 29 3/4 in., dia. 44 in. $1000/1500
Provenance: The Sturm Collection.
Ill.: Sturm, Philip. West Indies Antique Furniture or the Lesser Antilles, 1740-1940. Antique Collectors' Club: Suffolk, 2011, p. 133.

974. Southern Late Classical Mahogany Sideboard, mid-19th c., possibly Thomas Day, North Carolina, serpentine backsplash, serpentine frieze drawers, ogee-paneled doors, scrolled supports, h. 54 in., w. 55 1/4 in., d. 22 1/4 in. $1500/2500
Note: Born a free person of color in antebellum southern Virginia, Thomas Day established a furniture-making business in Milton, North Carolina and became a master craftsman who sold his unique late Classical-style furniture to the wealthy planter class. By 1850, Day’s shop was the largest furniture business in the state of North Carolina and his distinctive scroll motif, dramatic in proportion compared to similar furniture of the period, became his signature design element. The sideboard offered here is closely related to a sideboard in the collection of the North Carolina Museum of History, featuring similarly scrolled supports, highly figured mahogany, and decorative scrolled brackets flanking the upper superstructure.
Ref.: Marshall, Patricia Phillips and Jo Ramsay Leimenstoll. Thomas Day: Master Craftsman and Free Man of Color. North Carolina Museum of History: 2010, pp. 84, 112; Museum of Fine Arts Boston. www.mfa.org/collections/object/secretary-549493. Accessed January 8, 2018.



975. American Rococo Carved Mahogany Four Post Bed, mid-19th c., Mississippi Valley, shaped paneled headboard centered by a cabochon and foliate crest, beaded posts with inset Gothicized panels, shaped rails, conforming low foot board, labeled "Succession of Mrs. W. P. Foster, Franklin, LA", h. 102 in., l. 78 1/2 in., w. 58 1/2 in. $800/1200
Provenance: Mrs. Fairfax Foster Bailey, Baton Rouge; The Foundation for Historical Louisiana, Baton Rouge, LA.



976. American Classical Mahogany Breakfast Table, early 19th c., shaped drop-leaf top, frieze drawer, ring-turned supports, incurvate plinth, acanthus carved hairy paw feet, casters, h. 28 3/4 in., w. 24 1/4 in., d. 39 in. $400/600
Provenance: Hyde Park Antiques, New York; Murfee/DeBardeleben Collection, Riverview, Columbus, MS.

977. American Pine Dining Table, 20th c., probably Southern, five board top, plain frieze, tapered legs, h. 31 in., l. 108 3/4 in., w. 59 3/4 in. $500/800



978. American Paint-Decorated Rocker, mid-19th c., spindle back, foliate-stenciled decoration, curved seat, turned legs, h. 41 1/2 in., w. 23 1/2 in., d. 28 in.; together with yellow painted side chair, bamboo turnings, h. 34 in., w. 17 1/4 in., d. 18 in. $200/300
Provenance: Texas Hill Country Ranch.



979. Antique Chinoiserie-Decorated Bedsteps, early 20th c., tooled leather treads, open shelves, turned legs, h. 28 in., w. 26 in., d. 18 1/2 in. $150/250

980. American Late Classical Mahogany Sleigh Bed, 19th c. and later, paneled head and foot boards, turned rails with cog mechanism, custom canvas and rope support, scrolled uprights, h. 40 1/2 in., l. 70 in., w. 51 1/2 in. $500/800

981. American Classical Mahogany Dressing Chest, mid-19th c., superstructure with ogee mirror, scroll supports and three glove drawers, marble top, graduated drawers, shaped bracket feet, h. 80 1/2 in., w. 43 1/4 in., d. 22 3/8 in. $300/500



982. Antique American Inlaid Rosewood Chaise Voltaire and Ottoman, shaped crest rail, padded back, arms, and seat, scrolled uprights, tapered legs, casters, chair h. 39 1/2 in., w. 25 1/2 in., d. 29 in.; ottoman h. 17 in., w. 22 in., d. 22 in. $200/400

983. Rare American Aesthetic Figured Maple Faux Bamboo Youth Bed, c. 1870-1880, attr. to R.J. Horner, New York, spindled head and foot board, posts with ball finials, conforming rails, h. 43 1/2 in., l. 54 in., w. 36 1/2 in. $300/500



984. American Colonial-Style Mahogany Secretary Bookcase, 20th c., manufactured Henkel-Harris, cove molded cornice, arched glazed doors, shelves, slant front desk with fitted interior, four graduated drawers, ogee bracket feet, h. 81 1/4 in., w. 40 1/2 in., d. 20 1/2 in. $500/700

985. American Renaissance Carved Walnut and Ebonized Stand, late 19th c., possibly Killian Bros. $150/250

986. American or English Mahogany Miniature Chest of Drawers, 19th c., molded top, five drawers, bracketed turned feet, h. 14 3/4 in., w. 13 in., d. 6 1/2 in. $300/500

987. American or English Carved Mahogany Miniature Chest of Drawers, 19th c., molded top, six drawers, molded base, bracket feet, h. 19 3/4 in., w. 19 1/4 in., d. 12 in. $300/500



988. American Late Classical Mahogany Work Table, c. 1830-1840, fitted work drawer, two lower drawers flanked by scrolled supports, tapered standard, shaped plinth, scrolled feet, casters, h. 30 1/2 in., w. 23 1/2 in., d. 20 in. $300/500

989. American Late Federal Maple Bed, c. 1820, pine cone finials, shaped headboard, turned posts, conforming foot board, h. 44 in., l. 75 in., w. 38 in. $300/500
Provenance: Texas Hill Country Ranch.

990. American Carved Walnut Chest of Drawers, late 19th c., Grand Rapids, MI, shaped backsplash, three paneled drawers with leaf-carved pulls, conforming apron, bracket feet, h. 39 1/2 in., w. 38 1/4 in., d. 18 in. $300/500
Provenance: Texas Hill Country Ranch.

991. American Rococo Carved and Ebonized Armchair, mid-19th c., Philadelphia, molded oval back, scrolled arms, serpentine seat rail with cabochon, cabriole legs, casters, period floral cut velvet upholstery. $200/400



992. American Renaissance Carved Walnut Settee, c. 1870, triple back, guilloche molding, shaped seat rail, fluted legs, toupie feet, casters, h. 45 in., w. 45 in., d. 21 in. $300/500

993. Three American Rococo Balloon-Back Mahogany Side Chairs, 19th c., shell carved crests and slats, shaped seats, cabriole legs, h. 35 1/4 in., w. 18 1/2 in.; together with an American Classical footstool, 19th c. $200/400
Provenance: Sold to Benefit the Hermann-Grima and Gallier Historic Houses Collections Fund.

994. American Restauration Mahogany Armoire, 19th c., arched and molded cornice, paneled door now lacking mirror plate, shelf interior, over blind drawer, plinth base, blocked feet, h. 88 1/2 in., w. 41 in., d. 19 in. $400/600

995. American Late Classical Carved Mahogany Gentleman's Dresser, c. 1830, paneled superstructure with two glove drawers, outset frieze drawer over three graduated drawers, exuberant foliate-carved scrolled supports, paw feet, h. 56 in., w. 43 1/4 in., d. 24 in. $300/500

996. McKenney and Hall/Publishers, "Po-ca-hon-tas" and "Oche-Finceco", 2 hand-colored lithographs, by J.T. Bowen, from The History of the Indian Tribes of North America, octavo edition, sights 9 1/2 in. x 6 in., framed alike. (2 pcs.) $100/200

997. Edward Lamson Henry (American/Charleston, 1841-1919), "Examining Passes at a British Outpost in New York State during the American Revolution", 1901, enhanced print, signed, dated and inscribed "To my Friend, Mrs. Charles Chamberlain" lower left, 12 3/4 in. x 20 1/4 in.; accompanied by "The Country Fair", albumen photograph, signed and titled in plate lower left, signed and inscribed "To Charles Chamberlain, Esq. with the best wishes of E.L. Henry" lower right, 12 in. x 16 1/2 in., each framed. (2 pcs.) $100/200



998. Eleodoro Marenco (Argentinean, 1914-1996), 10 Argentinean Historical and Military Prints, 1966, all signed and dated in plate, sights 17 3/4 in. x 13 in., framed alike. (10 pcs.) $100/200
Provenance: H.R. Norsworthy, Sabinal, TX; The Zigler Art Museum, Jennings, LA.

999. Antique English Sterling Silver Hot Milk Pot, Alexander Clark, Sheffield, 1897, wc. 1894-1901, mark reg. 1894; pear-shaped body, domed cover, molded foot, ebonized finial and handle, h. 9 1/2 in., wt. 12.75 troy ozs. $400/600

1000. Group of English Sterling Silver Flatware, 19th c., various makers, incl. a crested master butter knife, Elizabeth & John Eaton, London, 1860, l. 8 in.; 3 forks, l. 7 in., dessert spoon and 2 teaspoons, total wt. approx. 10 troy ozs.; together with 2 silverplate cold meat forks, Roberts and Belk, Sheffield, late 19th c., l. 8 in. $250/350

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