1: A Set of Four Colored Engravings, from the series The First Steeple- Chase on Record, including Preparing to Start-All Sorts of Odds-The Grey for Choice, Whoop! and Away! The Mayor in Trouble-Subden's Linen Suffers, Accomplished Smashers- & a Run
2: John J. Gould (British, 1801-1881) and Elizabeth Gould (British, 1804 1841), Alpine Chough, hand-colored lithograph, published by C. Hullmandel, sight 18 in. x 13.25in
3: John J. Gould (British, 1801-1881) and Elizabeth Gould (British, 1804 1841), Herring Gull, hand-colored lithograph, published by C. Hullmandel, 14.5in x 21.5in., unframed.
4: A Pair of Humorous Horse Scenes, Deacon Jones' One Hoss Shay, No. 1, and Deacon Jones' One Hoss Shay, No. 2, hand-colored lithographs by W J. Warner, 1879, published by F.M. Haskell & Co., Boston, sight 18. 5in x 25 .25 in., matted and framed alike.
5: An English Carved Walnut Wheel Barometer with Inset Mercury Thermometer, mid-19th century engraved Chadburn's Liverpool on the silvered metal face and decorated with deeply carved scroll and foliate designs, note: lacking indicator arm on barometer,
6: An English Tortoiseshell and Horn Snuff Box, 19th century rectangular case, the lid with mottled beige and brown tortoise shell, height . 682in., width 1 1-8 in., length 2.434in.
7: An English Horn Snuff Box, 19th century oval cylindrical body with hinged lid with monogrammed silver plaque, the ends banded in silver, length 3.75 in., width 1.93in.
8: An English Silverplate Oval Hinged Covered Box, with gadrooned borders on cover and foot, lion's mask and ring handles, and monogrammed cover, height 3 .25 in., length 7.5in
9: A Pair of Antique Anglo-Irish Cut Glass Candlesticks, with downward tapering baluster-form shafts on round bases, decorated mainly with flat flute cutting, height 9.75 in., depth 4 in.
10: French School, early 20th century Winged Victory, gilt bronze, cast signature Ch. Soudan and Susse Freres foundry mark, height 5 3-8 in., on an oriental ebonized stand.
11: An Antique Bronze Figure of a Terrier, depicted standing on the shore with various forms of sea life at his feet, molded base, brown patina height 4 1-4 in., length 7.5in
12: An Art Deco Bronze and Marble Figural Group, signed Z. Kovats on plinth, of two nudes reclining on a rectangular black and brescia marble plinth, each with an upraised arm holding a bunch of grapes, the plinth with a raised center section mounted
13: An Early Victorian Giltwood Oval Pier Mirror, c. 1850, the original mirror plate with a beaded frame bordered by bellflower pendant chains, foliate cresting, gilding now restored with a thin coat of gold paint, retaining original backboards, height
14: A Good Pair of Art Deco-Style Club Chairs, in chocolate brown leather each with rounded back, deep seat and arms, with loose cushion and short blocked feet, height 34 in., width 30 in., depth 22 in.
15: An Art Deco-Style Leather Settee, in chocolate brown leather, the rectangular back with rounded corners, curved flat arms with loose cushions and short blocked feet, height 32.5in., width 52 in., depth 32 in.
16: A Pair of American Victorian Mahogany Slipper Chairs, c. 1865-75, the padded crest rails supported by molded stiles over trapezoidal seats on nicely carved cabriole legs ending in casters, now with later needlepoint upholstery, height 26.5in., seat
17: An American Classical Mahogany and Marble Top Center Table, mid-19th century New York, the inset octagonal marble top with a molded edge over a scalloped apron supported by three fluted columns on an incurvate plinth with three scrolled feet, height
18: A Fine American Rococo Rosewood Console and Etagere, mid-to-late 19th century stencilled label of J. & J.W. Meeks Makers....New York..., the superstructure with carved and pierced gallery and back, the shelves supported by scrolled brackets, the base
19: An American Classical Mahogany Center Table, 19th century New York, the circular faceted top on a cyma molded apron above three fluted columnar supports on an incurvate plinth with scrolled feet ending in casters, height 30.5in., width 35.5in., depth
20: An American Late Classical Figured Mahogany Pier Table, c. 1830, New York, attributed to J. & J.W. Meeks, the original black and gold serpentine outlined marble top above a conforming frieze, the canted scrolled supports raised on a concave plinth,