Description:

Gustav Klimt
Austrian, 1862-1918
"Stehender Rückenakt"
black chalk on paper
1901, A. Strobl Nr. 3462, unsigned, sketch from the Beethovenfries, "Galerie Würthle" label with artist, title, date and information on backing board, printed tag with artist on hanging wire, framed.

To be included in the forthcoming catalogue raisonné by Dr. Elisabeth Dutz of the Albertine Museum, Vienna.

Provenance: Galerie Welz, Salzburg; Galerie bei der Albertina, Vienna; Galerie Würthle, Vienna; Private Collection, Switzerland; Private Collection, New York, June 18, 1996; Gifted to the present owner.

Note: Gustav Klimt created the famous Beethoven Frieze for the XIVth exhibition of the Association of Visual Artists Vienna Secession, which was held between April 15 and June 27, 1902. Conceived as a tribute to the composer Ludwig van Beethoven, the presentation epitomized the Secessionists' vision of an encompassing synthesis of the arts. Twenty-one artists worked together under the direction of Josef Hoffmann.

At the center of the exhibition in the main hall stood Max Klinger's Beethoven statue. In addition to Klimt's Beethoven Frieze, the show featured wall paintings and decorations by Alfred Roller, Adolf Böhm, Ferdinand Andri and numerous other artists. The stated objective was to reunite the separate arts - architecture, painting, sculpture and music - under a common theme. The "work of art" was to emerge from the interplay of the design of the rooms and the wall paintings and sculptures.

Klimt's monumental wall cycle was in the left-hand aisle, which visitors to the exhibition entered first. The theme of the frieze is based on Richard Wagner's interpretation of Beethoven's Ninth Symphony. The frieze illustrates human desire for happiness in a tempestuous world of suffering in which one contends not only with external evil forces but also with internal weakness. Klimt created numerous sketches and studies in preparation for the frieze.

  • Dimensions: 17 5/8 x 12 in. (44.8 x 30.5 cm.), Frame: 23 x 17 1/4 x 3/4 in. (58.4 x 43.8 x 1.9 cm.)
  • Medium: black chalk on paper
  • Condition: Numerous repaired pinholes throughout; light toning; light mat burn; light waffling; scattered soft creases; scattered and few small tears and losses along upper edge; 1/8 in. wide stabilization strip along full upper edge en verso; likely thin gelatin layer applied en verso for stabilization; 2 white tape hinges en verso; frame has marks, nicks, light stains and abrasions with separation in corners (see photos).

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April 17, 2026 10:00 AM CDT
New Orleans, LA, US

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