Description:

Manuel Neri
American/California,1930-2021
"M. Agosin Series No. 7"
mixed media on paper mounted to board
1992, signed and dated lower left, label with artist, title and date on backing paper, framed.
41 1/2 x 29 1/2 in. (105.4 x 74.9 cm.), Frame: 54 1/4 x 29 1/2 x 2 in. (137.8 x 74.9 x 5.1 cm.) 

While the human form is one that has been studied and
executed by artists since the genesis of Western art, Manuel Neri's take on the
figure is intensely poignant. As Hilton Kramer stated in his 1981 New York
Times
review of Neri's solo show at the Cowles Gallery, "[w]hat
distinguishes Mr. Neri's art is the way he has combined the traditional nude
figure with the interests of painting. While his conception of the figure tends
to be classical, his painterly sensibility is decidedly Expressionist. There is
thus an extraordinary tension - or, if you will, a dialectic - built into the
very crux of his style. This gives the work a very individual dynamism, even if
at times it also leaves us with the impression of something teetering on the
brink of dissolution." In the lot offered here, the sense of impending
dissolution is nearly palpable. The fragile humanoid figure appears to be
emerging from its surroundings, and Neri highlights the tension between
animation and stagnation. Ref.: Kramer, Hilton. "Art: First Solo Show for
Manuel Neri." The New York Times. Feb. 27, 1981. www.nytimes.com. 

  • Condition: Float-mounted with all edges visible; waffling along all edges; slightly ragged edges inherent to paper; surface inconsistencies and irregularities, likely hand of the artist; frame has marks, nicks, abrasions, light losses and very light separation in corners.

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April 4, 2025 11:00 AM CDT
New Orleans, LA, US

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$100 $499 $25
$500 $999 $50
$1,000 $2,999 $100
$3,000 $4,999 $250
$5,000 $9,999 $500
$10,000 $29,999 $1,000
$30,000 $49,999 $5,000
$50,000 $99,999 $10,000
$100,000 + $20,000