Description:

Natalie Gaidry
American/Louisiana, b. 1961
"Drying the Laundry on Monday"
oil on canvas
2002, signed lower right, titled on upper tacking edge, titled and dated on stretcher, unframed.

Note: Everything in Natalie Gaidry's paintings has a life force, be it wrinkled laundry, crab trap netting, or clumps of grass. The effect is egalitarian, reminding the viewer of the sacred in the everyday. Gaidry's intuitive and studied eye nods toward Southern visionary artists like Forrest Bess, albeit hers is more baroque. In "Drying the Laundry on Monday," towels, shirts, and cloths vie for attention on a folding drying rack that just might collapse from its burden. The painting's fleshy palette amplifies its corporeality. Riffing on the grids of the traps and patterns of grass in "Crab Traps in Des Allemandes," Gaidry's goopy modernist gestures invoke the thick stickiness of piped icing. Behind/above the traps, gestural clover flowers invoke the ways that Sister Gertude Morgan reduced landscape and architecture to patterns that pulsate. Gaidry's art education has been both self-driven and academic, including coursework in architecture at University of Oregon and studies in Italy. Her work can be found in the permanent collection of the New Orleans Museum of Art and various private collections and is featured in the documentary "Surrealism by Karl Krogstad." She was represented by beloved and now-defunct Barnett Fine Art in New Orleans.

  • Dimensions: 48 x 72 in. (121.9 x 182.9 cm.)
  • Medium: oil on canvas
  • Condition: No signs of past restoration; surface dirt; scattered brush bristle accretions; scattered graphite marks along edges; surface irregularities and inconsistencies are hand of the artist.

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November 21, 2025 11:00 AM CST
New Orleans, LA, US

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