Description:

Sue Jane Mitchell Smock
American/Louisiana, b. 1937
"Those from Jigjiga"
woodcut
1978, pencil-signed, titled, numbered "28/30" and chop marks lower margin, framed.

Note: Born in New Orleans, Sue Jane Smock's career as a visual artist working in printmaking and sculpture has focused on African American and non-Western narratives. Smock earned degrees at Oberlin College (BA) and Columbia University (MFA), in addition to pursuing studies at research-based London University's School of Oriental and African Studies in England.

Another impression of "Those from Jigjiga" appeared in her solo exhibition at Allen Memorial Art Museum at Oberlin College and is now included in their permanent collection. The accompanying note reads, "The subject of this work comes from a small photograph that the artist, who studied printmaking under esteemed professor Paul Arnold as an undergraduate at Oberlin College, saw in the New Orleans Times-Picayune in late 1977 or early 1978. At that time, Jigjiga, Ethiopia, was subject to battles and bombing during the Ogaden (EthioSomali) War. The image Smock memorialized in this print evocative of tragedy and resilience showed a woman and child, with another child behind them, fleeing the city during the destruction and after the death of the woman's husband."

In addition to underscoring social justice issues, Smock has elevated significant African American writers in portraits including James Baldwin and Margaret Walker. Her dynamic and organic linework suggests lifeforce, possibly reflecting her studies in Japan, where animist traditions thrive. Consider also the metaphor of the tree for its rootedness and connectivity beneath the earth, and whose wood supplies the paper pulp and carving plate for woodcuts.

Smock (also known as Sue Jane Mitchell Smock) has maintained a distinguished career including a 1966 solo exhibition at Smithsonian American Art Museum, where her woodcut "Will I Survive" remains in their permanent collection. Her work is included in other permanent collections at the California African American Museum (The Personal Treasures of Bernard & Shirley Kinsey), locally at New Orleans Museum of Art, Dooky & Leah Chase Collection, and the Amistad Research Center, whose website notes additional exhibitions at The Canton Art Institute in Ohio, the International Cultural Centre, and the Nexus Gallery in New Orleans. Smock's work is also recognized in the archival papers of African American scholar, curator, and printmaker David C. Driskell. As an educator, Smock taught printmaking at Dillard University, where she was an Artist in Residence. She was a distinguished professor at Ritsumeikan University in Kyoto, Japan, and served as Chair of Department of Fine Arts at Lincoln University in Missouri. Additionally, Smock has been active in board positions and panels, including the Louisiana Arts Council, the Pennsylvania Council on the Arts, and the board of the Trustees of Cooper-Hewitt National Museum of Design in New York City.

Ref.: "Those from Jigjiga." Allen Art Collection. www.allenartcollection.oberlin.edu. Accessed Mar. 26, 2026.

  • Dimensions: Sight: 38 x 23 in. (96.5 x 58.4 cm.), Frame: 40 1/4 x 25 1/4 x 1 1/4 in. (102.2 x 64.1 x 3.2 cm.)
  • Medium: woodcut
  • Condition: No signs of past restoration; full print edges folded and taped with clear tape around foam core board; light uneven toning; light scattered areas of discoloration; small surface losses, small tears and fraying along all edges; beginning signs of foxing; frame has marks, nicks and abrasions.

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April 17, 2026 10:00 AM CDT
New Orleans, LA, US

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